Long Sleep/Long Night Dreams " is really not very good... nothing, not to watch his few bad movies that were ruined by Hollywood directors and parallel screenwriters, how can I compare the original authors Chandler and Billy Wilder What about the high level of the director?
If Chandler watched this film by himself, he would be wondering: "Why does my son Marlow flirt and fall in love with various girls in the movie like 007? Dad, when will I promise you to hook up in the office? Flirting and falling in love? Where did the bookstore girl number two come out? When did the taxi driver who was tracking become a female driver?"
Director Howard: "...Big, this is in Hollywood, making a movie It is to attract the audience. There are not many beautiful and beautiful girls who can
watch the case without talking about it?" Chandler: "Attract the audience, right? I remember that there are very eye-catching shots in my original book... …For example, when Marlowe went to see Carmen, she was drugged and she was not wearing clothes..." The
director quickly interrupted: "No, no! We have the Hayes Code! There can be no such unhealthy content! So we let She wears a cheongsam instead of full luo!"
Chandler: "Well, I won't hold the issue of whether the supporting actress wears or not. Who will allow my son Marlowe to talk about love? When will I promise my son to talk to him? Two coquettish bitches are talking about love?"
Director: "That's not two coquettish bitches—it's one. The other one was forcibly washed out by me!"
Chandler: "Why did you write me so badly? The woman is whitewashed?"
Director: "Because she is the female number one, and the female number one is the girlfriend of the male number one! If the girl of the male number is badly written, it will affect her image, and if it affects her image, it will make the audience feel worthy. No longer a male lead!"
Chandler: "Why must the female lead be worthy of the male lead?"
Director: "Because in reality they are a couple..."
Chandler: "You can't change the male lead "
Director: "No, that's Bogart!"
Chandler thought about Bogart's brilliant and brave heroic image in Casablanca... well, it's really Marlowe's... well, bear it.
Chandler: "Well, I can bear the matter of the white heroine. I will thank you very much without touching my plot outline. Why did you add so many scenes to her?! Finally, kidnapped Marlowe until she was young. In the dark room, where did Bai Kao'er come out? Does the original work have her part?"
Director: "The heroine...just like Mary Su in the same humanities, they will grab the key characters' parts in order to race against time. Fall in love with the male protagonist!"
Chandler: "...Well, I won’t hold these accountable. Anyway, you still managed to shoot the first half according to my intentions... But why did you shoot according to my intentions, that woman? The Lord is also an accomplice in harboring the murderer. She has no hatred for the sister who murdered her husband. She has no mercy on the man who died innocently! Just this thing-how could Marlowe be seen? "The Long Farewell" Inside, Terry was just being counseled, and he was cut off by Marlowe! How could Marlowe, a misbehaving woman in "Long Dreams", be regarded as such?! I object! I object to my son and this kind of evil Women associating!"
Director: "But Bai Kao'er is pretty.../(ㄒoㄒ)/~~You will not be able to do it for a while?"
Chandler: "No! My son is of good character! Is a bad woman worthy of it ?"
Fuck him!" Director: "Nonsense! Black women in noir movies have become the most popular in recent years! Rita Hayworth and Barbara Stanley are the dream goddesses of the vast number of otaku! The hero and the detective should be It's a god of beauty!"
Billy Wilder: " Nonsense! Labor and capital have made countless movies, and I have never heard of such a three-way wrong thing! The bad woman in my hand or the blackened male protagonist CP, or the death of the male , Either the female’s death, or the male’s and female’s deaths, no one can make it."
Director: "(Unfortunately, it doesn’t give face...) Okay, even if it’s the screenwriter’s tough melon, but you have to admit ——It is such a seductive couple who saved such a dull and boring movie!"
Chandler: "( ⊙ o ⊙) What the hell? My film is rotten? My film is incomprehensible? Have you photographed the clues written in my original work? Did you take a close-up of the blood on the corpse on the ground? Nervous confrontation between the eyes, have you paused the soundtrack to get the rhythm up? The actor Marlowe has very good and deep eyes. When thinking, have you strengthened the inner drama with the characters or added an inner monologue to explain the case and mobilize the audience’s nerves? Follow the thinking? You rushed to shoot yourself like a running account, you don’t schedule the scenes, don’t understand the camera selection, don’t focus on the case, and don’t mobilize the audience's emotions-you still add a lot of love and love. You say my script is bad? My script is bad? My film needs you to show your love to save it?!"
Director: "...Big brother...Don't think so much, we are through you and Bogar’s name goes to your fans’ money. Just make the money..."
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