The deep love that wants to say goodbye

Jimmie 2022-04-21 09:02:33

In 2017, Kazuo Ishiguro, a British Japanese, won the Nobel Prize for Literature. This is also the third Japanese writer to win this honor. Compared with the famous Kawabata Yasunari, many Chinese readers may be a little unfamiliar with this writer, but , Movie fans must have heard of the film adapted from his novel - "Farewell to a sunny day", this film has won eight Oscar nominations and six BAFTA nominations, and is regarded as a film history classic.

"Farewell to a Sunny Day" unfolds against the background of the British aristocratic manor in the 1930s. Exquisite porcelain, elegant furniture, splendid study, and elegant aristocrats are like a long scroll of exquisite oil paintings. The day-to-day management of the Lord's Manor is the chief steward, Mr. Stephenson. He is a traditional gentleman and a loyal housekeeper. He is meticulous in his work, showing no emotion or anger. He takes care of the manor like he loves his own hairstyle. When cleaning household utensils, he is as careful as taking care of a baby. Generally attentive. But he is extraordinarily rational, restrained and restrained when it comes to relationships, especially love. In stark contrast to this is his female assistant Keaton, who is as shrewd and capable as Stephenson, but their personalities are completely different. Enthusiastic, brave, and decisive, she has been working hard to get close to Stephenson. From picking the flowers she sent every day, to slowly getting closer to the conversation, she euphemistically expressed her goodwill to the restrained manager several times, but she was carefully followed one by one. Avoiding, the heroine had no choice but to resign and leave the manor, choosing another destination. Decades later, the old manor has a new owner, but Stephenson still misses Keaton and finally decides to rush to the town where the heroine lives to meet her. , the two of them looked at each other silently under the street lamp, and their faces were full of melancholy when they parted...

The famous actor Anthony Hopkins played the leading actor Stephenson in the film "The Report". In this film, he gave a classic performance like a textbook, and described a humble, restrained, and serious traditional British housekeeper. Stephenson seems to be cold and rational in the film. He is taciturn and does not have many lines, but in fact, he only deeply hides his emotions because of his cowardice. There are several great performances by Hopkins in this film. For example, after hearing the news of his father's death, he endured his grief and continued to work; when he learned that Keaton was about to leave the manor, he acted as if nothing had happened, but accidentally broke the wine; the heroine was in the room When she was sobbing, she came to her and stopped talking, and turned to subtly diverted the topic through the trivia of housekeeping; of course, the most memorable moment was the reunion of the two after a few years, Stephenson is still not. Dare to face Keaton, his eyes flickered, he hesitated, but he could no longer hide the loss and reluctance in his heart. Shortly after the reunion, they said goodbye to each other again. Stephenson let go of Keaton's hand, but did not take it back for a long time. Keaton was already in tears through the car window. In the heavy rain, Hopkins stood alone with an umbrella. There is only one freeze frame, with a lonely face, standing alone, just through his eyes, the viewers can fully feel his melancholy and lonely mood, which makes people sigh.

By the way, this film has another translation title - "The Long Day Left" (also called "The Long Day Will End"). Some people say that this title has multiple meanings, expressing the British's appreciation for the once glorious and glorious British Empire. The nostalgia of infinite glory, but the name reminds people more, but it is the relationship between Stephenson and Keaton. The protagonist entering his twilight is like a sunset in the west. , but the tenderness can only be annihilated in the years, and deep in my heart, I have quietly left a deep imprint in the name of love...

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Extended Reading
  • Annetta 2022-03-25 09:01:10

    4.5/5. This film gave me a typical sample to think about the difficulty of film adaptation, how to express the emotions and psychology of a single person in different viewpoints. The image is completely another language, with its own details and rhythm, such as the use of statues, Doves and broken wine bottles are used to symbolize a certain complex, such as the visual treatment of the relationship between characters. When the father and son are talking from the front to the back, the image of the father changes from a tall to a sluggish; The light and shadow on her face in various "peeps". The face is the most important magic. Kazuo Ishiguro has hardly described the appearance of the characters, but the two leading actors have filled the void and even deepened my understanding of the characters. The housekeeper is not indifferent (note Hopkins's expression), But the heart is the service, it is the deprivation of privacy and dignity of life by profession - until the times make regrets appear regrets. The gaze of the two men in front of the window is thus full of meaning: the light illuminates their faces, and shines on the scene they are watching, in that scene, the traditional side of aging holds the value of nothingness towards history.

  • Taya 2022-03-26 09:01:07

    He suppressed the feelings for a lifetime, and did not want to say a word. Regret is cruel to life, but beautiful in art.

The Remains of the Day quotes

  • Stevens: Miss Kenton. I really must ask you, please, not to disturb the few moments I have to myself.

  • Benn: I'm glad to be out of it, I can tell you. There was something about Sir Geoffery and his blackshirts. They gave me the creeps.

    Miss Kenton: Mr. Stevens always says its up to us to run the house and leave the rest where it belongs. You don't agree, Mr. Benn?

    Benn: No.

    Miss Kenton: Neither do I, really.

    Benn: Well, if I don't like something, I want to be in the position to say, "stuff it." If you will pardon the expression, Miss Kenton. But, I suppose I'm not a real professional, like Mr. Stevens.

    Miss Kenton: It's Mr. Stevens whole life.