The male protagonist who shares the same car with three women seems to be a very interesting point: the relationship with the three women can be fully reflected from these three driving scenes.
1. Evenly matched with Maddalena, a confidante, a relaxed hedonic relationship;
2. With Slyvia, if my impression is correct, this driving scene has never been given a close-up shot of the front, and the audience follows the back of the two through the dark night of Rome illuminated by the car lights. I didn't pay much attention to it at the time, I just thought this journey was very poetic. Now I think that this back figure is actually in line with the male protagonist's emotion. His admiration for Sylvia is a restrained, almost helpless emotion, facing a woman who is too innocent and beautiful;
3. The last scene with Emma breaking in the roadside car may be more impressive, but after watching the scene here, it is not surprising that the male protagonist later summed up the "imposed, tangled, maternal love".
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