Fei Fei said, if you ask children what will happen tomorrow, they will say, tomorrow will be better, but you will not have the heart to tell them that you can tell you with a phone call that tomorrow is the end of the world. Sweetness is a mask, and the one who is always alone is an outsider. All things are either too fast or not fast enough, not too sweet or not sweet enough, because there are too many forms of life. Time in Fellini really knows the meaning of light, his black and white lens is the softest and most comfortable thing I have ever seen, not sharp at all, in short, beautiful. Many people say that the most exciting thing about Fellini's films is the emotional tension, but I think it is the silence, the tension is under the silence, the undercurrent is surging, and the still water is deep. All the power is frozen in a moment, very still divinely. Fellini also seems to be telling a myth. The carnival people woke up, they were walking in the forest, like the spring of Botticelli, there were goddesses, messengers, wind, and angels, they stopped by the sea, and were attracted by the manta rays salvaged by the fishermen by the sea , it has been dead for a long time, its body is rotting, but its eyes are transparent like glass, staring at the sky. Deep sea visitors, people talk about its corpse can still sell for a good price, but the curiosity is over, no one is interested in corroded things anymore. "Night of Kaliba" is very similar to "Sweet Life", especially the last shots, dusk and morning, disappointed people after sadness, frustrated people after revelry, in the woods, what you see is the sea when you open your eyes, What you hear along the wind is music, you are greeted by carefree people, all the great joys and sorrows will come to nothing, because c'est la vie. "Sweet Life" is not only not sweet and even evil, but Fei Fei finally fixed me.
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