In fact, the most touching thing in the whole story is the death of Jack Marchall. He was a good man and hounded to death by his neignbours. The director is very good at expressing the emotions of various characters and exaggerating the atmosphere. If this drama is regarded as an emotional film or an ethical film, I will give it four stars. But if it is to be classified as a crime, suspense, or case-solving film, then Samsung can't do more. The whole process of investigating the case was completely illogical. Many clues appeared early in the morning, but the two detectives turned around like headless flies. The story is messy, and some details are not explained clearly. Why are there crossbows in Nigel's car and warehouse? Is it just to intimidate Susan? Why did CCTV capture Mark and Danny but not Joe at all? Jack said he saw postman and Danny quarrel, for what? Finally, I insisted on adding a so-called irony. The mother who lost her son asked Miller, who was a neighbor and a good friend, how could you not know, the same question. Miller accused Susan at the time. In fact, I personally feel that this irony is of little significance. I felt that Miller was very miserable, and he worked hard to solve the case, and shed tears for the hidden sympathy behind the victims and the suspects. Although he was not capable of solving the case, he was very kind, but finally was told that his husband was the murderer, really wtf. a feeling of. At the end of the story, I think what the director wants to tell the audience is that there may be a tear-jerking story behind every seemingly bad person, and behind every seemingly good person there may also be an unspeakable secret, and the small town The death of the boy, the death of the poor old man Jack, the father who beat the child, the mother who didn't care about his son more, and the residents of the small town who had their own ghosts, probably no one can completely separate the relationship.
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