When I was 18, I saw it, and I thought the shaky footage and the shaky Faye Wong were cool, different from other movies, it was great, a literary film;
when I saw it at the age of 24, I felt like a killer Brigitte Lin is as lonely as
Haw Wai Wai is the most shameless time for young women in literature and art. A Beijing movie imitating Faye Wong. He asked me, if there was a movie like this in the theaters now, would you still pay for a ticket to watch it against the wind and snow? I thought about it and said, "What? No."
In 1994, Takeshi Kaneshiro was 21 years old, Wang Jingwen was 25 years old (yes, the cast wrote about Wang Jingwen), Tony Leung was 32 years old, and Lin Qingxia was 40 years old. What I'm thinking of is what other young actors I'm willing to pay for? Then I can't think of one.
"However," I said to Teacher Xing, "If there is such a movie now, there will still be 18-20-year-old audiences to buy it, because there are their Faye Wong and Jin Chengwu, such as the article Peng Yuyan Yang Mi Shen Jiayi, in their 30s When I was 10 years old, maybe this group of people was regarded as a classic again, of course, maybe it's something." When it comes to "classic", I feel guilty for myself.
Everyone sees themselves in the movie.
Say it, it's called afterthought. If you use your afterthought as a movie review for rice, that's called unethical.
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