second , whether there is a change in the size of the space, whether there is a large room, a small room, whether there are indoor and outdoor changes;
third, listen to the sound, whether it is the same period or the later period, whether there is a sound space in each shot, and what is it like? What is the change in the sense of sound space in the next shot;
fourth, what is the background, its relationship with the foreground, and how does it change (this is the perspective relationship);
fifth, whether there is movement, is the subject in the picture In motion, the camera is still in motion, whether it is more horizontal movement (left and right lateral movement) or more depth movement.
Sixth, is there any use of zoom, does it accurately represent the relationship between the two characters, or does it create a wrong relationship. Zoom is not used much; does panning add new information or meaning;
seventh, the relationship between movement and stillness, is the foreground has movement, the background does not; or the background has movement, the foreground has no; or the front and rear background Eighth, where is
the editing point, what is the frame of the frame, what is the frame of the frame, if it is a person running, pay attention to whether the body shape of the frame is good or not. Good or bad, what is the difference when looking at it; whether to use more switching or more overlapping.
Ninth, what is the scheduling of the characters in one shot, and is there any stage processing for the fourth wall (that is, all the people in the shot are lined up facing the camera, just like sitting in a row in a kindergarten, eating fruit and fruit) .) The actor's solo performance also strives to face the fourth wall?
Tenth, where is the music used; is there a theme song, does it work? The relationship between music and character action (or performance), the relationship between music and camera movement, the relationship between music and color changes, the relationship between music and the mood and rhythm of dialogue, the relationship between music and natural sound (ie noise), etc.
Eleventh , If it is a feature film, what means is used to express the turning point of the plot, is it spoken with tongues, or is it a silent paragraph, if it is you, can you express this paragraph silently?
The twelfth, the change in the relationship between the characters on the screen, there is a change, or there is no change, A always stands on the right of B in the whole shot, but never goes to the left of B, etc
.; How to use it, as an extension of the space in the picture, or another non-narrative space;
fourteenth, is the dialogue written in a life-like manner, or is it a stage tone, is it good to read?
Fifteenth, what color clothes do the characters in each shot wear, and the relationship between them, that is, whether there is a color schedule, that is, to use as a flowing color;
sixteenth, the era of props, region, Ethnic, culturally accurate?
Seventeenth, whether to use flashbacks in time, and what means to use to express it, is it reasonable?
Eighteenth, do you use a long lens? How long is the longest shot, do you feel it is long, or is it not as long as it actually is, and what is the relationship between the characters in this long shot? All in the picture, or one inside the picture and one outside the picture (front and back shots are not counted).
Nineteenth, vocals, is it a combination of tenor, soprano, baritone, mezzo-soprano, and bass?
Twenty, are features used as visual accents in the plot?
Twenty-first, how is the combination of sound and picture in the whole film, is there any wonderful place?
================================= =======================
Read more professional film magazine reviews. There are also some professional books such as some reviews of film history by film masters. Learn more about history, philosophy and literature. A good movie is always inseparable from these. Appreciation of a movie can be from a picture that is beautiful or not in line with the artistic conception. For example, the pictures of commercial films are often delicate and full of rhythm, while the literary films are soothing and do not conform to the general public aesthetics. 2. Is the plot attractive? Is there any foreshadowing of the main line of the compact arrangement? This can be referred to the appreciation of literature. Because many movie scripts are adapted from novels, the arrangement of novels is changed in the script through dialogue. The depth of the three characters' portrayal is not deep, like this, the language of the characters, the expressions, the eyes, the expressions, the clothes, and the details are very obvious. The director wants to use such a person to explain why sometimes there is an irrelevant supporting role, and for example The lines in Western movies are very different from those in the East. The East is more compact and the West is seemingly rambling but witty and humorous. A beautiful line can even become a poem that everyone knows to use at any time. Fourth, whether there are deeper meanings such as legends, political and cultural awareness behind some details of the film, this depends on accumulation. There are also language differences. So read the original text to understand more deeply. The meaning of the blockbuster is often well known. But literary films are deeper. For example, if you watch American films, you can say that the most sloppy "Superman" typically promotes the idea of individual heroism in the United States, which is inseparable from culture. The plot of many American heroic blockbusters is the same. The idea is the same, so the selling point lies in the characters and pictures. Of course popular is definitely not a true classic movie. All we can say is that it fits with popular culture. So some people call it a classic. Really good movies are deep and heart-moving from every angle. I love movies like Schindler's List. There is also "Casablanca" V and the director's ideas in the film and the techniques he uses. The six pieces of music and the peripherals of the costumes can also be used as an element of appreciation. Appreciating a movie is like appreciating a famous painting, a good novel and a symphony at the same time. But put it together. Because the movie is what they put together. This is the most unique charm of the film. To break it down a little bit, we have to come from the genre of the movie. Then use this type of method to see the success or failure of the film. Such as war history love. A high box office is not necessarily a good movie. Critics say good is not necessarily good. The key is to move your heart to see the connotation of the movie from it. The moment in the movie that fits your heart is the key to appreciating a movie It's a big deal for someone to talk nonsense when they come across a topic they like. Added some more. The landlord slowly realizes it. If there are still questions, we can discuss it through Baidu mail. I'm not a movie geek just like watching movies. . . . .
View more about Chungking Express reviews
