In fact, there are many clips that I didn't understand when I watched them, the young woman with a blurry face, the disappearance of Takeshi Kaneshiro, the appearance of Faye Wong, the boarding pass, and Chongqing without forests.
In retrospect, it was a very clever arrangement.
Who loves her mystery, her carefulness, her rest, and an almost extravagant birthday wish.
Hehe, canned pineapple, neurotic man, detours to say goodbye, detours to lovesickness. Like me, I have a habit of running lap after lap to release excess water from my body. Sometimes, the more careful you are, the more you are reluctant to say goodbye. He has been in love for five years, he is in love with this name, he is in love with his lover's preferences, and it doesn't seem to matter who this person is.
Liang Chaowei in this movie, my feeling is very vague, and it looks like after ramble.
I love Faye Wong the most, swaying with california dreamin', with neat short hair, looking down at people with low eyebrows, and refusing to think, Faye Wong naturally makes my heart itch. This woman who loves herself, plays hide-and-seek with him, changes the sheets, goldfish, dolls, warms his clothes, fills his house with water, and blue slippers. Leaving and returning are simple reasons.
The bigger and the more hypocritical, the more accommodating, the more disgusted this kind of self is. Like Faye Wong in the Chongqing Forest, she should release herself naturally, love someone with sincerity, and intersect with his cry-loving house, without inexplicable gestures and pride, without the hard-to-get and doubt derived from a sense of security. To love fiercely and simply, to leave him who took it for granted for the time being, and to turn around when he suddenly realized it.
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