Chongqing Forest. 1, male, time (calendar date, canned expiration time, flight booking time), handheld (blurry, psychedelic, alienated), time (night), 1 emotion (police, nostalgia, fetish hobby) 2 (criminal) , looking for a person or thing), a single fantasy, a noisy voice feeling (multilingual, Indian, Japanese, Mandarin, Cantonese, English) machine voice, traffic sound, pop music, inner monologue. The narcissistic one-sided confession (appetite, desire, dissatisfaction, unanswered) echoes the call machine and no one calls. The ending is gentle. As the ending turns daylight, Kim accepts the reality. Identity conflict can not be together 2 women, space. Nostalgic, new choices (two may). Faye Wong's dance/sensitive ghosts and ghosts, time (mainly during the day), space (fantasies elsewhere, memories, yearning for California) (playing and playing in space, hide-and-seek, love, space performance is more obvious and prominent, mirror use , flying in the air, entering private space, transformation, space renewal and character psychological changes), emotion (secrecy/unilateral fantasy, love, active and passive interaction between sexual relations), (fetish, emotional externalization) Borrowing things to talk about people), Liang, dull and dull and living in his own world. hint. Voices (psychological monologue, pop music, Cantonese English, Hindi. Rhythm moves forward step by step. Playing in space, talking to oneself (California dream). Transforming space, controlling, erotic fantasies (dream people), being assimilated. Externalization of psychological space. Liang's private space becomes the king's space? (Jealous? Water overflow) into a fairy tale with a conch girl?
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