Is this really a 2019 movie?

Freda 2022-04-23 07:03:18

Using time and space puzzles, interludes, and flashbacks, it tells the story of a female spy who is dealing with various forces and gaining freedom. He told a very simple truth: what you want is up to you, don't trust men's promises, and don't trust women. The film is good-looking. Whether it is a beautiful spy or a slightly fancy way of play, it attracts the attention and grabs the attention of the whole process. It is a good feature film. But after watching it, I always feel that something is missing. Although it tells a story of a seemingly fashionable heroine, it is not like a film of this era. It is neither new nor exciting. It is only set off at the end of 1/4 the necessary reversal and climax. Luc Besson can't seem to feel the pulse of the moment. The style and texture of the video make people mistake it for a film from 20 years ago. Instead, the puzzle-like structure of the story becomes a disadvantage, which squeezes the space for emotions and characters. The character only presents external actions, and lacks details. In addition to her beautiful appearance, she lacks attractiveness, and also lacks shortcomings and the charm brought by them. She is almost a natural spy, and it is difficult to resonate with her as an audience, and even her yearning for freedom is unconvincing, at least, unable to impress me.

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Extended Reading
  • Levi 2022-03-25 09:01:14

    Self-repetition on the assembly line vs. simple, uninspired repetition of others.

  • Karelle 2022-01-05 08:01:56

    The director who knows women and LGBT best in the world is Almodovar, and the director who knows straight men the best in the world is Luc Besson.

Anna quotes

  • Olga: You Don't Fuck With The KGB

    [last lines]

    Olga: [on Anna blackmailing her] Bitch!

    [is forced to erase Anna's entire KGB file]

  • [last lines]

    Vassiliev: [while playing chess] Check

    Anna: [shoots him point blank] Mate