Although the director is Luc Besson, "Anna" is only classified as a popcorn movie after all. The plot is smooth and beautiful, and the heroine is sexy and domineering. It is a good-looking movie, but good-looking does not mean shallow. on the topic of trust.
People are emotional animals, and when they have feelings, they have trust. Everyone wants to trust others, and everyone wants to be trusted by others. The reality is that trust is just a luxury, rare and fragile. The answer given by the film is also the same as reality: it is better to believe in yourself than in others.
Anna is a little girl from a hard life, with no support, her only dream is to be free. The Russian agent Chenkov promised to give her freedom in five years, and the American agent Miller promised to give her freedom in one year. It doesn't matter three years or five years, what matters is who should Na trust? Anna didn't know the answer, so she could only perform tasks mechanically again and again, try carefully again and again, and make desperate attempts again and again.
In the end, Anna chose to believe in a woman who appeared to be Olga, the head of Russian agents, who was actually Anna herself. Only women really understand women, mantises catch cicadas, and the oriole is behind. When Anna was in a dilemma, Olga ruthlessly told Anna: They can't be trusted. If you really want freedom, you can only trust me. At this time, Anna had no choice. She killed the head of the Russian agent, helped Olga to take the position, and then borrowed the game Olga designed for him. Jin Chan escaped and escaped step by step.
Isn't Anna someone who doesn't trust her easily? The answer is just the opposite. A girl like Anna, who can't help herself, was chosen by a cruel fate, and she fights with her life time and time again, seeking a life in the hail of bullets, her only wish is to be free. At this time, no matter who appears, as long as it can help her get freedom, she will choose to trust or even rely on it. In this regard, there are not too many language descriptions in the film, but several direct sexual scenes are given, such as Ruqin Cove came to Anna's room, and as soon as he entered the door, his eyes met, and he was working on a rudimentary table with firewood and fire. Even before Anna assassinated the head of the agent, the two were still having sex in the dark room; when they were allowed to go on vacation, Anna sneaked into the rice room in the middle of the night. Le's room, the two were tender and lingering. Trust does not require words, actions are the best interpretation. Until the last three people met, Anna would still kiss the two of them tenderly. This kiss would definitely be sincere and sincere, with no benefit or anything else, and it still conveyed trust and love.
From the perspectives of Chenkov and Miller, there is no doubt about their trust in Anna, but trust comes from trust, being in the country, in the interests, in the overall situation, and trust is as light as a feather, so when Anna assassinated the leader of the Russian agent , Chenkov chose to call the police, instead of standing with Anna as she wished; Miller, who was waiting outside the door, could only ask the driver to drive away when the alarm sounded, instead of desperately saving Anna .
In the film, Anna doesn't seem to trust anyone, but she actually trusts everyone. Anna doesn't seem to be trusted by anyone, but in fact everyone trusts her deeply. Trust or not is never written on the face, but written in every look, expression, action and action. The ultimate connection between people is inseparable from trust, trusting others with heart, and cherishing the trust from others. It is a subject that needs to be learned in a lifetime. I hope we will not be like Anna. In the end, only ourselves can be trusted.
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