The whole article tries to instill in the audience the cruelty of one-day KGB, life-long KGB and the conflict between Anna's longing for freedom. At the end of the film, Anna used the phone recording as a threat to make the female KGB director delete her file. A big reunion ended the conflict. This arrangement is slightly powerless and puzzling.
The director of KGB is well versed in using various means of coercion. The first thing he thought of when he was counter-intimidated this time should not be to smile knowingly and then delete the file. This would cause Anna's coercion to be one-sided and unbalanced. As the head of KGB, she should have thought of it long ago, and it is impossible not to know the concept of "balance of terror" or "peace under threat". A more reasonable and at the same time more intriguing arrangement should be the KGB director smiling, ignoring the delete button, typing in the password, flashing a brand new "Top Agent" page, then putting Anna's file in, and the whole chapter ends. On the top agent page, there are several names of people whose avatars have been erased, and Anna's avatar is also instantly mosaic.
KGB is deep in the ocean, and blackmailing the director is nothing new.
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