"Anna" is indeed a good-looking commercial film with brains: the rhythm is tense and exciting, the supermodel heroine is seductive, the vision is fun and dripping, and the ending is satisfying. In terms of the maturity of the genre film, it is basically impeccable (compare "The Cardinals" to see the difference, "Anna" does not have a waste scene in the whole process.) Therefore, the instinctive reaction given by many audiences is to say that it should be The film is "Amazingly Good". You can only rely on yourself for your own destiny, never expect a man, let alone any seemingly powerful power. Only you can hold your fate by the throat—provided you know exactly what you want—Anna knows she wants freedom: no longer trapped in false identities and tasks within scenes , she wants to get out of it completely. Before heading off to freedom, Anna sat down and had a heart-to-heart talk with two important men in her life. She bluntly used Russian nesting dolls to describe her life: in the multiple nested identities, each of them is her, but none of them is really her
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