Luc Besson really likes the films of the female secret agent. There was Scarlett Johansson as a demigod in "Super Body" before, and now Sasha Ruth is almost a demigod in "Anna".
The protagonist Anna is a lonely Russian girl who treats people badly and regards the gangster as a reliable partner. After being rescued from a fire pit by the KGB, she chose to train as an agent. However, like a secret agent as deep as the sea, freedom has been a passerby since then, and her mentor's promise that she would be free after five years of service was crushed by the top. In one operation, she was arrested by the CIA, who asked her to be a double agent and promised her freedom after she was done. She agreed, and from then on, she had to deal with the two major intelligence agencies and two men.
All secrets will eventually be revealed, all triangles will eventually collapse, at least in the movie. Can Anna escape from the cracks of powerful institutions?
The plot of this film is ups and downs, the action is wonderful, the actors are seductive, and it is really good-looking. It's just that the characters are too thin, or there are no characters. All of Anna's actions are driven by the needs of the plot, and her own motives remain vague. The motivation given to her by the film is the yearning for freedom, which is probably the wishful thinking of the Western world. As the child of a high-ranking Soviet army general, and immersed in a well-disciplined organization for many years, her desire for freedom is probably not as strong, and her understanding of freedom must be very different from that of Westerners.
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