"I said if you love someone deeply, give them freedom. If the bird is tired and knows it, then Know where to go, otherwise she will not belong to you from the beginning. I know that I am David’s person from the beginning, and he also belongs to me.”
First of all, I have to praise the beauty of the hostess.
The last time she was picked up by the movie heroine was to watch the 97 version of Lolita two years ago. The fourteen-year-old Lolita put on lipstick both sexy and innocent, sophisticated and attractive.
In the play, Diana tries on a skirt in a clothing store, unbuttons the almost transparent white shirt, pulls down the shoulder straps to reveal a distinct collarbone, and then fluffs the hair behind her head to show a smooth neck line. She is so charming, from appearance to character. Just the phrase "skirts can be sold, but I can't" is enough to make people fascinated. In Cage's eyes, Diana is a sexy and beautiful stunner, a flower planted in cow dung. So he offered a million and bought Diana for one night.
The plot developed to this point, and the relationship between David and Diana had a big wave for the first time. The two people were too evenly matched before. They fell in love at first sight and didn't guess. There was no disparity in status and there was no big difference in worldview. When Cage first proposed this peachy deal, David was entangled, but subconsciously he was more willing. Because Diana wouldn't go if he didn't want it at all, and the plot would end here.
(Diana: "Go, but I think you understand, I went for you.")
After Diana got on the helicopter, David found something was wrong: No, it was contrary to their love that was more than Jin Jian.
After that night, the two of them kept silent about what happened, but nothing actually happened. But the seeds of suspicion were planted in David's heart, and a fissure that was invisible to the naked eye quickly expanded and extended, eventually collapsing the entire building. They go farther and farther.
Secondly, the trough of the show is its ending. Cage realized that Diana would never fall in love with him anyway ("She would never look at me affectionately"), so it had a fairytale ending, sentimental People cross all obstacles and finally get married.
It seems unreasonable that Diana gave up the handsome and rich old rich Cage and chose the poor, suspicious and incompetent David. But in fact, the men and women in real life are exactly what they are in the movies: women are often devoted, and they accompany the person who thinks that they are more in love with no pay, reject all temptations, and enjoy it for decades; and men always enjoy it. With the women's selfless company, they always suspect that their wives or girlfriends are unfaithful.
Not that any relationship that begins with a good one will end in the same beautiful and non-suspicious way.
Perhaps the occurrence of a certain event in the process does not affect the overall situation, but its appearance shows that there is indeed a fatal injury that hinders the progress of this relationship.
Women choose you at any time instead of choosing a better man, simply because they come first; this kind of company is not out of duty, but out of a woman's nature to be loyal to love. Just like Diana said: "I love you, even if you don't have the money!" This is a good show where money and love are both shirtless, evenly matched, and really face to face.
There is a line in the play that is repeated many times: Did I say I love you? This sentence is much deeper than "I love you" itself: Have I ever said it, never said it, but it has been repeated thousands of times in my heart.
A woman’s love is unpaid. If you have to be paid, it is to hope that men will give their sincerity, give all their trust, and fulfill their promises. Men’s love is paid. They love women’s youth, expect women’s absolute loyalty, and they also need women to perform their duties as a wife and mother.
The love in the play is evenly matched, the same poverty, the same values, but such a balanced relationship often does not go together in real life. I have all the shortcomings you have, and I don't lack the advantages you have. Seeing each other every day is like looking in a mirror. One shortcoming multiplied by two is infinitely magnified.
There must be one person who has the upper hand between two people. Whether it is knowledge, money, or status, you will guide your partner to become a better person, and it will be easier to obtain the ideal love you envision.
Your significant other has no obligation to condescend to accompany. True love is not the entanglement that consumes time, but the capital that she has worked hard to accumulate together. Otherwise, everything is just "I thought we were more in love than Jin Jian", um, yes, thought.
Text/Front Rin
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