The ending was a little more intense, and it would have been better to be more restrained.
Chloe is certainly distressing, but the most exciting part of the whole film is actually Catherine's confession to her husband, "I see you getting more handsome every day, every wrinkle and every gray hair makes you more attractive. I imagine I'm still 19 years old, but looking at myself in the mirror, I don't know what else I can do to attract you." As a woman, this fear of the passing of time has turned into a fear of the passing of love. Empathy. The sorrow of a middle-aged woman who was once beautiful is far greater than that of a woman who has never been beautiful. This is the only place in the whole film that makes me cry.
In fact, the director intentionally let the audience see that Chloe was lying. For example, all the scenes of Chloe and David together are non-positive, all from Chloe's description or Catherine's imagination; The narration is leaving room for the follow-up plot, in order to see Katherine again; Chloe's expression when she saw David's photo in the clinic was obviously not seen before, and deliberately kept his appearance in mind; it was even featured repeatedly Chloe's red nails, red nails represent lies. The director handles the details very well, and it can be seen that it is a sincere work.
Some people say that Chloe fell from the building at the end because of the desperation of not being able to get true love, I don't think so.
Chloe knew that no matter what she did, she couldn't make Catherine love her, but if she died at Catherine's hands, she would live in her guilt forever, and that was the only way she could get Catherine. She smiled when she let go, because she got what she wanted. Like the sentence in "The Death of the White Bird": Then let me die under your arrow, as if I finally died in your arms.
The fact is also true, the sad hairpin is the proof.
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