Darcy is still such a goddess, and his doting eyes have not changed for more than ten years when he looks at the heroine. Age is a complete plus in this drama. I thought that the reason why the heroine was liked was because of the protagonist's halo, but she ran away from Darcy, saying that she couldn't always make the same mistakes, even if she wanted to. When I was about to make a new mistake, I suddenly thought that if I could still live like her in my forties, I would be very satisfied. It is not surprising why Darcy likes him so much, thinking about it for so many years: I loved you in the past, I love you now, and I will love you in the future. He was smarter than me and discovered the heroine's brilliance earlier.
By the way, this is the support point of all Mary Sue plots. The heroine's character can make all this rational, so the portrayal of the heroine is particularly important. Once the audience likes the heroine, the show is basically a success. But some screenwriters and audiences have different aesthetic tastes and perceptions of things, and there is really no way.
Although I dream of becoming Mrs. Darcy, my favorite plot is when the second male learns that the female protagonist is pregnant and goes to her house to rehearse the process of falling in love with each other. The doll bear won by playing the game, I liked the little step of sending a yellow text message because I looked at the waitress and held flowers to apologize, assemble furniture together, and even send a yellow text message. In the past, I was particularly disgusted with the assembly line of falling in love. I felt that the process of endless chatting and going out to eat and date was old-fashioned and tacky. Now I suddenly realize that it is because I have not met someone I like.
If it's you, it's all so special.
View more about Bridget Jones's Baby reviews