After reading the whole story analysis of the big hand in the front row, I felt a sudden realization. Several things that I didn't want to understand suddenly became clear, and I said a few interesting details and my views.
The movie is 1440X1080 resolution, which is 4:3, which corresponds to the resolution of the honest TV that the old man watched in school.
I think the whole movie is the epitome of the old man's mind when he was dying. It contains all the literature, history, drama, film, etc. he has accumulated in his life, interspersed in a road trip that was not successful. The heroine's intention should be to play the face of his former friend, imaginary girlfriend, and female star in the movie. While driving, most of them are playing himself, and jake and his girlfriend are like normal and fast information exchange between the big and small brains/left and right brains.
The old man likes sweets very much, and the element of ice cream seems to be static in the movie. Time passes by, but the ice cream never melts, which shows the importance of sweets in the old man's heart.
The whole movie is like an endless cannonball, constantly firing at all kinds of things that have been experienced in this life and have not experienced; it is also like a labyrinth of time and memory, in which there is a non-linear time ( It can be seen from jake's house), there are fragments of memory, there are clear icons, there are strong emotions (this is undoubtedly), there are logical story lines, and there are unspeakable sorrows.
Watching the old man turn into a maggot-infested pig, I just wanted to say: 'You could have ended it now'
I don't know much about Charlie Kaufman. When I looked at his works, I found out that he was the director of "Becoming Ma Yo". Sure enough, it is in the same line, and stream-of-consciousness movies are waiting for you.
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