It's too classic, too classic. Sixty years later, China is still like this. This film has a third-person narrative, telling stories through memory, and jumping and cutting at the same camera, which are all formal innovations. From the comical shirking of blame at the beginning, to the final grabbing credit, to analyzing the motivation, and then to everything as always, the irony of this story is divided into several layers.
Another line is for people to reflect on, what are we doing, crowded on the subway every day, what are we doing? More and more people have the title of mummy. Nights with vulgar novelists, and every day with girls, I fully understand how beautiful girls are. Wei Xiao is like that. Sometimes in life, doing one thing is enough, unless we change the world.
"Life is so short, girls hurry up and fall in love."
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