You can't raise them without loving them, please don't give birth to them!

Leonel 2022-03-25 09:01:14

There is no physical space, the space has not been established, such as a scene of robbing a woman on the stairs, the space level is chaotic. There is no narrative depth, and the purpose of criticism appears at the very beginning. The characters only move towards the established route, and there is no possibility of bifurcation in the process. The dynamics of all conflicts in the narrative are imposed, so the emotions of the characters cannot be seen through the hand-held camera. Passing, can only be imposed by the soundtrack. Without a real environment, the director's understanding of sound is a disaster. In one scene where the protagonist is looking for a job, the time-space transformation has been completed visually, while the ambient sound continues; in another scene, the close-up and medium-level scenes are constantly switched, and the dialogue sounds are always at the same weight. The scenery has its own holy light, and more often it has only symbolic meaning, and the aerial photography does not have any positive effect on the environmental structure. With neither depth nor power, it would be a crime to stuff this film into the main competition.

Victoria 2022-03-23 09:02:34

#Cannes71# The number one seed is really awesome, the stunned "Insects of Lebanon" bitterness scene. It wasn't because the second act was off-line and the last 20 minutes of preaching and sensationalism were over-estimated, it was overwhelmingly praised, but looking at this year's game, maybe it's a Palme d'Or? "No one knows" in Danega, Lebanon Configuration, although it is Labaki's consistent concept to go first, but it is really ruthless to start.