I watched it first, then listened to Luo Xiang's video before returning to comment. But don't be misled: this isn't a film about the legal system. It's still the topic of the rotten street, the struggle between small people and the police, the struggle with the system, and the struggle with the media. To sublimate it, it can be regarded as a satire of the group, learning from the template characters of film and television works. China has inertial speculation as well. For example, imagine a landlord's wife. Then she has to stab her with needles, and no matter how bad it is, she must at least have a big scorpion on her face, right?
I am quite surprised how such a good subject can still be photographed on this bad road. I really want to talk about procedural justice. If I want to shoot, I will focus on the turbulence of public opinion, its unstoppableness, and the persecution it brings. Then there is that lawyer who insists on it, and then wins, and finally the people who are unable to get through. drooling out of court, his head up and high. You don't need to film the police and the system in such a dark light because you're tired of watching them.
Dongmu is still cowardly; he only dares to provoke ZF, not the audience. I'm not cowardly because I don't have a camera.The most surprising thing is that at the end of the movie, Captain Marvel actually sheds tears, which is on the level of Uncle Dongmu. I don't believe it. Procedural justice is unavoidable; let one person, or even a group of people, not appear so guilty when the punishment is reduced.
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