Dionysian: The popular lament of "truth" and the maddened background of the distortion of the little people

Joaquin 2022-04-19 09:02:27

I like the light and shadow effects of this movie the most. It’s hard to imagine that the director of this movie was 90 years old. The idea, color, lens use, and description of the nightmare are very creative.

Color is talking, light and shadow are portraying. The film portrays characters with high saturation and low exposure. Under high saturation, the dark areas around the picture are set off, highlighting the main characters. The color of the background is mainly red and blue. The burst picture is brought into a game, not only the picture is playing a game, but more like the hero's life. play this game. The entry of dramatic light, the interpretation of the characters' dramatic background until the end of the film, the decline of natural light, and the appearance of the yin and yang of the task face are all weighing the fairness and justice. In terms of color, the main tone of cool color is to enlarge the clothes of the protagonist and enlarge it to the whole picture. The government and the media are full of light, but the brightness is low, and the meaning behind it can be seen. Furthermore, compared to the place where the protagonist lives, it only maintains a warm tone for three days. When reporters are besieged, most of the filming is taken at night, and the house also turns green. In the era of capital operation, what is justice has been in the hands of most people.

There are many two-person pictures in the filming of the film. When two people are together, the current social status is revealed by the standing of the characters and the height of their postures. The compositional appearance strongly maintains the stalemate and peace of the various representatives.

As for the final elaboration of the theme, I can think of many things, about the distortion of the truth, the exposure of charges imposed by capital, the gimmicks that the media pursues too much, the resistance of small people, the imagination of human beings under the media, and the anger and ignorance of the truth that heroes are criminals The pull, and finally, no one cares after the truth is revealed.

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Extended Reading
  • Treva 2022-01-06 08:01:16

    In the age of swelling news media, as ordinary citizens, we should be quiet.

  • Tanner 2022-03-25 09:01:13

    A / Dongmu seems to weave the surface of the characters and the surrounding environment into a undulating membrane. Jewell's different sides are wrapped around like a blunt shuttle, overturning and trying to break through, presenting a seemingly dual but incomparably vague and profound aspect. As a result, the film may have abandoned a certain author with a specific political orientation, and is no longer nailed to a certain factional appeal. The inquiries of power will inevitably leave indelible marks everywhere, but the self-consciousness of the implosion of the camera can resist this powerful system of violence - at least, it can make a stubborn and a little selfish and vain ordinary person. , to connect with those on the fringes who just want to leave a little commemorative silhouette at the gala.

Richard Jewell quotes

  • Richard Jewell: You're the only one who treated me like a human being! And now you're yelling at me, telling me I have to be somebody that I'm not! I'm not that guy, you're that guy!

  • Watson Bryant: You know, I actually feel sorry for you guys: when the real bomber does it again, and the country asks, 'where was the FBI?' you're gonna say, 'we were busy getting hair samples from Richard Jewel.'