The 500th movie, probably a turning point for me, where I can start to tell the difference between good and bad movies through the non-emotional parts.
In terms of pornography, it can be said that it is completely irrelevant to pornography. These exposed shots can indirectly reflect the character's character through the interaction of sexual actions. The scenes about sex in the movie are hardly involved, and they are all won by breasts. Regarding this, I feel it is a means of attracting the audience, these clips all use the breast as a medium to stimulate human instinct to reflect, to convey emotions, whether it is the last feeling of grief or the feeling of tension in the middle. Sex is magnified. As a viewer, if I don't see these exposed things, I believe that my feelings will not be so sensitive.
About WWII. Bad villains, good villains, good decency, bad decency, these four types. The author is very smart and does not need to describe how complicated a person is at all. The good and evil in the extreme evil and the extreme good are already worth discussing, so basically only two aspects are created, and the more complex emotions are distributed in each Basically, everyone in an individual has different personalities and states. The collective of these people is a complete person, and the characters stand and express themselves.
About structure and text. If it is a composition, it is also a high-scoring composition and a popular novel. The structure of the movie isn't as complex as a brain-burning one, but it's good enough. Looking at it in chronological order, it is the heroine's World War II story; looking at the clues and fragments, it is a story of catching a ghost. The story structure is particularly good, and a good script is really important. For movies, it may be more than just the text of the story, and gradually understand.
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