During the unfolding of the plot, a lot of confusing plots were inserted, which weakened the possibility of the male protagonist being the murderer to a certain extent and enhanced the watchability of the play. Fortunately, the creator did not make a big fuss about the distracting points, played the doll-style reversal, and maintained restraint on the placement of the distracting points, so that the possibility of others being the murderer became false, and the possibility of the male protagonist was more "real". , the focus of the whole play will not deviate too much due to too many clues. Obviously, the playwright not only wants the audience to actively participate in the verification of whether the male protagonist is the murderer, but also wants the audience to remain curious about how the male protagonist who is likely to be the murderer can get away with it. Both are very motivating to the audience. The story design is not smooth. Several key nodes cannot promote the development of the story without relying on the self-exposure of the male protagonist. This kind of design is too deliberate and too coincidental. In addition, some of the stories in the play are helpless to the main story narrative. The details give the audience a lot of room for over-interpretation, which is superfluous. In life, it is difficult to identify and counteract someone with a deeply hidden narcissism and anti-social personality like the male protagonist, because most people are willing to pay for the deceptive words and deeds of such people. Everyone doesn't want to admit their "weakness", and once they refuse to face their flawed self, it means giving others room for psychological manipulation and exploiting human nature, making it easy for them to succeed. The reason why evil prevails may be due to the fragility and flaws of good itself. Those beauty that cannot stand scrutiny will inevitably be broken in the end. And how beauty can withstand destruction, this seems to be another question that requires a lot of expansion to answer.
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