I always feel that this film deliberately emphasizes the religious factor very clearly, are you not afraid of religious people coming to kick the gym? (⊙o⊙)
As soon as the poster came up, Li Ying Ae was made into a Virgin, and before the movie started, he wanted to make revenge into a cake. What was cut out was blood, and what was out was a rose. At the very beginning, the choir sang "Dear Gold", and the Virgin-like light illuminated my dark little heart. However, I vaguely felt that the murderous intention was hidden, and the heroine wearing a thin dress on a snowy day showed no expression on her face.
Then, she really changed her clothes and began a sacred and cruel revenge. Sin (sin), punishment (punishment), redemption (atonement), the cycle goes on and on. Once there is revenge, even the Virgin without original sin cannot be washed away. Because revenge, on the one hand, represents the execution of justice, and on the other hand, punishes the sinner, and the person who sends the punishment, even God, is guilty. No matter how redeemed, the cake mixed with blood cannot become Snowflakes are so white. But the sinner will definitely be punished, the big crime is big, the small crime is small (in the movie, Li Ying Ae said it), so once a crime is committed, there will be endless crimes, which will be borne by the punishers who go forward one after the other. If the conscience still exists and there is the idea of redemption, the sinner will become a self-punisher again, and will be tortured repeatedly, and it will never end.
In the end, Li Ying Ai finally saw Hong Mu, whom she had been looking forward to for thirteen years. She opened her mouth to speak, but was blocked by Hong Mu, who had grown up all of a sudden. She used the wet and smelly piece that she used to cover Teacher Bai. The cloth, after being banned for a while, thought that the redemption to be completed would never come again. Five-year-old Xiao Hongmu turned into an adult and walked away, and Jin Zi could no longer be redeemed. Ah, it's so painful.
There are also very obvious symbols in the movie, such as blood red eye shadow (this color is very good, it will not overwhelm Li Ying Ai's face, and it is scary enough, at least enough to cause psychological discomfort to the audience, if the audience is not too Big words=.=), such as black leather jackets, cold and intricately patterned double-barreled pistols (this one is also very ruthless, with a short range, but loud sound and huge recoil, when Li Ying Ai tried the gun with a dog for the first time, she was caught Shocked and fell to the ground. But it is very strange why the last two shots were shot in the face of the corpse, each with only one bullet hole?), these seem to be easy to interpret, because it is too obvious: it marks the beginning of the heroine's revenge plan This transformation and records the whole process of her revenge, emphasizing her psychological and character characteristics throughout the process.
However, I always feel that these factors that are so obvious that they cannot be more obvious point to another hint. It's not that I'm trying to confuse things or think too much. It's just that I know too little and can't understand what it is. I am so lost >_<
If my feeling is correct, then I really fell into this trap of sin/punishment/redemption and cannot be saved, and the pain is deeper ( ⊙ o ⊙ )! ! !
In fact, I was initially attracted by the soundtrack, although the editing is also great (I don't know the technology, I just think the shot transition is very smooth and special enough). Feather piano is not as easy to strike out as strings such as violin, but it is such a kind of volume that seems to be non-existent, gorgeous enough to drown people in it, and always conveys a kind of instability / inconsistency. The sense of balance always makes people feel so beautiful, so beautiful, but also frightened and always feels that something terrible is going to happen next. In short, the extensive use of classical soundtrack sets off the atmosphere of the entire movie quite well. Each paragraph has its own theme, and some paragraphs are interspersed and used repeatedly. If the soundtrack is taken out of the movie, it will not only lose the audibility, but at least half the viewability.
This movie has a strong sense of drama from the use of colors to the shots (although I haven't seen many dramas ⊙ o ⊙ ). Many of the shots are almost stationary and posed, especially some group portraits, which look like some religious figures. I have not investigated whether there is any painting that looks like it. . . Some single/double shots are also very stage-like. The red background and black zebra pattern wallpaper in Jin Zi's room always makes me feel like purgatory. In the process of revenge, when Jin Zi sleeps in it alone, it is like roasting and roasting on the fire, until the daughter Jenny comes, the fire of hell It turned into a gentle and sad air and began to flow.
One of my favorite shots of Lee Young-ae is the close-up after the revenge is over. The eyeshadow and leather jacket are all there, the gun has been buried in the enemy's grave, and the lower lip still has the scar from the previous fight. First tears flashed on the solemn face, then a smile climbed up, and then hatred gradually became stronger in the tears. The joy of revenge, the hatred and pain that I have always carried, and the torment of sins that have not been redeemed, all melted into one furnace and can no longer be distinguished. Life is not like this, the truth is unclear, all kinds of hardships and joys, only each person knows it.
When it snowed at the end, the boy Yushu raised his head, I rely on, the skin is so good, I am jealous >_<
Will Yushu be a way out for gold? He looked even more innocent and innocent than Jenny.
Finally, let's sigh again, it's really a beautiful and brutal movie~ Close your eyes and indulge~
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