On Air Force One, Jacqueline looked at Johnson, who was about to take office, and looked at the unfamiliar faces around her. She was no longer the first lady. She didn't know "what is real and what is acting". It seemed that only Kennedy's coffin is his own. Faced with the shadow of death that shrouded the Kennedy family, Jacqueline kept suppressing her true emotions. No one knew if she and her deceased husband were in love with each other, and how much she nostalgic about life in the White House. Even the interview draft She revises it herself, she knows what can be published and what can't be published. Maybe when she saw a bloody Kennedy, everything twisted. The film's footage and the score's own performance by Natalie Portman combine to create this uncomfortable and distorted atmosphere that makes the audience feel as if they're Jacqueline herself.
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