Here we have to commend the screenwriters of the film. Not only did they ingeniously make a seemingly ordinary moral film so dramatic, but the triple-door and triple-nested narration made our popular network actually list it as a thriller, which made it even more surprising. I feel that in the commercialization of 2013 today, in the face of plagiarism (so-called, from a certain angle), the way to solve it is to choose forgiveness. The redemption of the soul saves others and saves oneself. In this part of my life, the screenwriter would have written a legal action, and the winding plot would have been a blockbuster, and it would have been a true heart-pounding thriller. (Joke, nonsense).
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