In order to match the fashionable atmosphere, a red carpet was put up in front of the cinema, and many slender Nordic beauties came over to take pictures. In the huge movie hall, there are almost all girls, only a few men are seen sporadically, and even the men's bathroom is open to girls.
Because I rarely watch English movies in the Norwegian alphabet, I was worried that I would fall asleep before the show, but we had a great time watching the whole show. So it was a surprise. At the beginning of the simple plot, the women are troubled by marriage, children or career, but because of the opportunity, they can go to the distant Abu Dhabi New Middle East for free and luxurious travel for a week. After a dramatic end of the journey, they return to New York to live, and their hearts grow again...
Scene Very lively, from the Gay Wedding to the Abu Dhabi luxury hotel, whether it is the bustling market or the vast desert, every scene is full of sensuality. Basically I don't think tomorrow I'll remember the intimate conversations of the women in this movie about a midlife marital crisis. All the plots and remarks about marriage in the play are designed to be philosophical, but when I turn around, I find that they are not very useful, just like the stories I read in the famous "Reader's Digest" when I was a child. So it's just a carnival for women, beautiful scenery, fine wine, and beautiful clothes, while men are just passing by, an affair, a visual enjoyment, and a night of hormonal entanglement. I don't like women's indulgence, but if New York women are willing to be so crazy, I still like to see a woman who can indulge happily. Anyway, it's a dream in the end, and it's good if it's really happy.
Actually four of my favorites sang karaoke at Abu Dhabi and were downright happy, like there was no life off stage. Or in that section where four camels ride on the dazzling sand dunes, holding red wine in the tent, watching the cool guy drive by with a smile and then drive away, like a dream. These comparisons are more suitable for happy and superficial films than those of confidence and tangle.
The film may not have any particular ideological artistry, but that's not why I only rated it three. The four women on the huge screen in 2 hours are in full detail. I deeply sympathize with the person who will die with me. At the same time, I also doubt that there is really such a thing as love in the world--to face it so closely for decades The face devastated by the years probably needs great love.
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