Communication depends on the situation

Virginia 2022-04-22 07:01:31

"Morning Anchor" is a typical inspirational movie for TV people. The heroine did not bow to reality and bid farewell to her dream because she worked hard but was fired. Instead, she kept looking for jobs, and finally turned a program that was on the verge of reorganization and an out-of-date anchor. back to the audience's attention. Apart from the protagonist's perseverance and bold and innovative ideas, her communication skills are also worth learning. Faced with a stubborn and apparently self-centered newsman like Mike, Betsy is tough and tough. The first time they met, they showed endless compliments. Betsy did not only have gorgeous compliments, but also told some examples of Mike's past. This kind of communication not only makes people feel comfortable but also makes people feel real. After Mike exclusively broadcasted the breaking news of the governor's arrest, he could quietly listen to Mike's story, which made the relationship between the two get better and laid the foundation for becoming friends. And when talking to Mike about work, Betsy displayed a skillful negotiating technique. First, he almost forced Mike to join the show group on the grounds of the contract, and then the day before the premiere, he forced Mike to put down his glass and go home to sleep. A firm attitude when communicating with Mike is the best way for her to solve the problem. When communicating with Colleen and other colleagues, Betsy chose a silent communication method. She faced the other's harshness and cynicism through her own efforts and amazing perseverance. Be arrogant, work hard, and be happy in the end. In short, Maggie has shown us a variety of communication methods, and from her own experience, she tells us that communication should be divided into objects and occasions.

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Extended Reading

Morning Glory quotes

  • Becky Fuller: OK. Is Daybreak a shitty show? Yes! But it's on a network, and not just any network. This is one of the most legendary news divisions in the entire history of television. Daybreak just needs someone who believes in it, who understands that a national platform is an invaluable resource, that no story is too low or too high to reach for...

    Jerry Barnes: Are you gonna sing?

  • Lenny Bergman: Wow! Well, look who the wind blew in! What happened to you?

    Becky Fuller: Well? We're gonna change a few things.

    Lenny Bergman: OK.

    Becky Fuller: Is Ernie in place?

    Lenny Bergman: Yes, he is. He'll be interviewing people as they come off the coaster.

    Becky Fuller: No, he won't. Not anymore he's not. We're gonna put him on that coaster. We're gonna strap a handheld to the car in front of him, and then go live. Boom! It's called picking up the game, people. OK? So from now on every single story that we do is gonna have to be sensational! And we're gonna be more aggressive. We're gonna work harder, and we're gonna do it right now.

    Lenny Bergman: Uhh, are you gonna...

    Becky Fuller: I'm not gonna sing!

    [to herself]

    Becky Fuller: Why do people ask me that?