The same goes for the film, where Costner's only killing was in a cornfield to get rid of his accomplice who had hurt the boy, which is also taken lightly. If Butch took Phillip away as a kidnapping at first, then it gradually became a mutual need and mutual achievement. Phillip fulfilled Butch's heart's desire to be a good man and a good father, and Butch became a perfect father in Phillip's eyes: a man who would let him play freely and protect himself. That's why my mom sees the touching scene at the end of the film where Phillip turns around and runs towards Butch. Butch is a bad guy: he steals, beats, even robs, kills. His actions are by no means reasonable and normal, but he is not a rock. His childhood and family yearning are his pillars. He also has dreams. Alaska on the postcard is his goal. For them, maybe that's enough to make a perfect world. Some people may say that this is Stockholm Syndrome, and from this perspective, it cannot be denied.
The film is warm and even provocative, but not promiscuous. However, compared to the big and small plots, the scenes of the group of policemen are somewhat chaotic and out of touch.
Thinking of the "Oriental" I watched a few days ago, maybe this kind of film will only appear in the West forever. If it is a domestic director, it must be the plot of the brave police who made a meticulous investigation and successfully hunted down and killed the murderer who kidnapped children. now~
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