This film is full of Jiro Horikoshi's dreams and dreams, so I think it is very suitable to start with dreams. In Miyazaki's dreams, girls and flying are always indispensable. In the past, flying was a dream vehicle, an adventurer's vehicle, which always made the audience feel good. This time, although flying is the theme, it is named "cursed". This is a different kind of reflection. It has already surpassed the level of ordinary works. It is already a face-to-face with dreams. It is the spirit of the master with pen. The wind this time is not as simple as the meaning of the soundtrack called "The Wind of the World" in the past.
In the theater of the Great Dream of the World, one by one, dreamers enter each other's dreams through their interaction, and while dreaming their own dreams, they act out a bigger dream together with others. Nahoko dreamed of Jiro Horikoshi, Jiro Horikoshi dreamed of Caproni; her dream of love entered his dream of flying, and his dream of flying was not separated from Japan's dream of destruction. It's not that he doesn't know what the word "righteousness" is. When he was a child, he helped the bullied children. When he was young, he not only gave Siberian cakes to street children, but also admitted the "hypocrisy" of asking for thanks afterwards. In Horikoshi Jiro's dream, Caproni had already said that the plane should not be a tool of war. Jiro Horikoshi knew even more clearly that Japan was about to be destroyed.
In other words, he knows everything, but he doesn't want to wake up, the price of waking up is too high, he must stick to his dreams, linger in love and flying. Dreams are born in response to inability to wake up. The so-called "dream of coping" means that in reality, there is an urgent need to go to the toilet. People can make up a dream, untie the hand in the dream, and continue to sleep. In reality, he either continued to hold back or wet the bed. So the dream is cursed, because it is an illusion born to escape. There is no difference between individual dreams and collective dreams. Remember, dreams are not fundamentally different from dreams. Jiro Horikoshi is a portrayal of all sentient beings who dream of marrying wives. He only dared to admit that he dreamed of hell when the bubble was shattered.
Therefore, the dreamer needs to wake up, and the dream needs forgiveness, and this is not the answer that can be given by "even if the wind blows, never give up in life".
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