"got windy
dark sky"
This is probably the last time to fly in Hayao Miyazaki's sky. How sad to say goodbye to the sky and flying like a loser;
At the beginning of the film, my eyes were red. It was like a piece of advice from my elders, like a formed, heavy helpless pressing on my chest. Dreams can only be carried out in dreams. The devout and enterprising to try to find solace for the wounds of war and inspire contemporary young people. It is Hayao Miyazaki's account to himself and his family. I am getting old and I have given up a lot. It is even more to Hayao Miyazaki. Film Symbols Realistic Summary Soaring into the Air No More Magic Dreams Are the Magic Barriers That Can't Escape Reality
There are almost no fantasy elements in the film. There are only starvation and cold, the economic downturn, and the turbulent Japan during the Great Kanto Earthquake. The successive misfortunes have made the people living on this island panic. With the approach of World War II, this nation has become even more The future is like a wandering lone boat in a storm. Everyone is at a loss. In these turbulent times, no one can resist the winds of society. They have long lost the ability to judge right and wrong. Work for the country, get married, Solving problems with fertility has become the most mainstream value under the social background at that time, and when a society needs to rely on population to solve its difficulties, how can it be called a modern society?
Under such a social background, dreams are just 'dreams' in the eyes of most people. They lack the time to 'think' and also give up the freedom of 'thinking'. When the wind blows, there are people who compromise with reality, and there are people who are willing to give everything for their dreams. Rise with the wind and walk with the wind. No matter how difficult the situation is, don’t give up on your dreams and work hard to live your life without worrying about the future. Just live in the present. I don't want to be a drifter and lose my freedom, but I also don't want to abandon my current ease and become a dreamer. Maybe life is helpless. There is no solution.
Of course, I don't know what kind of person Horikoshi Jiro is, whether he enjoys watching the brilliant achievements of the fighter he invented, or is also suffering from the contradiction between ideals and reality. In short, jumping to conclusions to evaluate a person may be wrong, I can not evaluate. And in fact, it has to be said that although the characters in the animation are based on him, they integrate the novel "Feng Li ち ぬ" by the writer Hori Tatsuo and his own image, and even Hayao Miyazaki's own projection. Moreover, the love stories in it are also borrowed from some plots in Hori Tatsuo's novel "Nahoko", which can be said to be completely self-created characters. So push aside politics and just look at animation.
Miyazaki said: "Horikoshi Jiro lived in a time where a lot of things happened, but people were still alive. Earthquakes will happen, and nuclear power plants have not disappeared. How to survive in such an environment has become a proposition for everyone to ask themselves. But I don't think it is necessary to feel disappointed.
As long as you have people you like, eat well, and take care of your children, you can live like this. "This is the final realization of a 72-year-old man who almost abandoned his wife and children to pursue his animation dream. He has been accomplishing himself all his life, and he can accept the sacrifices of his lover and family for him with peace of mind. I think it is because he always Believe that there is always life waiting - when I am satisfied, when I succeed, I can repay it all, I can give myself back to you - but there is very little left in life, and what is missed is fault.
When Kuiyue faced Nahoko who was passing away with the wind, how many of the heartbroken expressions at that time were sad for the departure of his lover? How much is the regret for not paying enough for yourself?
There is always life waiting for you, and every day you live is life; according to the audience who watched the movie in Japan: "The child sitting in the front row is boring from start to finish, but the mother who brought him I was moved to tears."
It is impossible for someone who has truly loved to not cry!
The most unforgettable is when Naoko crossed the snow field, through the fields, through the city, and the reunion with Erlang at the station. They finally caught each other in the middle, and it was a lifetime to miss; they hugged and hugged, and they almost merged into one and hugged each other tightly, as if all they got were flukes, and what they lost was life.
Life is too short, parting is too long, the future you gave is too far and too vague, I wish I could just fight for the day and night. However, no matter what, there is always a life ahead waiting for you. When we meet again after a long absence, please hug me tightly;
"The Wind Rises, Let's Live"
Although this sentence has been repeated several times, I heard death in the movie theater and didn't know what it meant... I googled it when I went home, and it seemed to mean "The wind is rising! 生きてみなければならない!" , we have to live.)" (translated into Chinese, it feels very weak) Actually, the original text is in French, anyway, I don't understand it, and when I read it, it feels very high-end and foreign...
What does the wind have to do with having to live? I'm also quite unclear. Japan likes to use expressions like "the wind が blown き め た era (the era when the wind started to blow)".
I think Feng Qi is the beginning of a new era, the surging of new ideas, and the departure of a new dream. So does it mean that when the wind blows, we should let go of our ideals and live for it?
The protagonist, Jiro (let alone his prototype), is a young man who is firm in his ideals. I have had a dream of flying since I was a child, and I have worked tirelessly for it. I think Hayao Miyazaki casts his own shadow in this character, because he is someone who has dedicated himself to the dream of animation. I envy such people, who have clear dreams and strive for them all their lives. Unlike most people, including myself, who always go with the flow, sway, don't know what they want, don't know why they live...
Although he looks gentle and upright, on the other hand, he is actually quite cruel in nature. Inside, what the younger sister repeatedly said was "the unkind one on my brother!". Every time his sister came, he would forget it and let her wait for hours, but it was just "ごめん, わすれてしまっていたよ". Not only to his sister, but also to his beloved Cai Suozi, who was actually quite ruthless. Although he went to see her when she vomited blood and lay in bed, he went back that night; knowing that Cai Suizi's illness should be recuperated in a sanatorium, in fact, he could choose He went to visit her on weekends, but he didn't; after living together, although we cherish every day, we always go home late at night and go out early.
Although he loves her very much, for his own ideals, he can actually be very ruthless. This is true of Hayao Miyazaki himself.
The heroine, Nahoko, is portrayed as a gentle and strong woman. In order to cure the disease and be with Erlang, he went to the sanatorium in the plateau, and after receiving a letter from home, he evoked infinite misses for Erlang and went to the place where Erlang was. This section seems to be completely borrowed from the bridge section in "Cai Suiko".
Erlang likes beautiful things. He has said more than once that the plane is beautiful, that the arc of the fishbone is beautiful, and that the naisui is beautiful. So Nahoko just wanted to leave his most beautiful moments to him.
"Even if the wind blows"
"Life does not give up and struggle to survive"
Jiro Horikoshi said: "The most precious golden time in life is only ten years." The time when a person can reach the peak of his life is mostly within ten years. No matter in career or hobby, as long as you are willing to put in the effort, there is the possibility of no ceiling or limit.
Is it this decade?
Even if the wind blows, don't give up in life!
Actually, this movie is brutal. Unlike any previous Miyazaki animation. It shows the cruelty of reality, the cruelty of science, the cruelty of art, and even the cruelty of ideals.
The protagonist of this work, Jiro Horikoshi, is also an example, even if he borrows Caproni's words many times: "The plane is not a tool of war, nor is it a commodity. The plane is a beautiful dream, and the designer is an engineer who is committed to making this dream take shape. ". But really, how many human technology inventions have become props for war and killing, and whether the creators of those technologies should be vigilant. Just like Oppenheimer's deep self-blame after the completion of the atomic bomb, maybe sometimes forced by life, the country and even power, we can't help but do evil, at least leave a bottom line for ourselves, after all, everyone can't be like a "red pig". "It's the same huge effort for the bottom line.
There is a conversation in it that says:
"Which is better, a world with a pyramid or a world without a pyramid?"
Jiro answered "あるWorld" (the world with pyramids)
As one of the wonders of the world, the pyramid is beautiful, but how much human and financial resources was consumed by its construction, and how much suffering has been added to the poor people. But Erlang chose "a world with pyramids".
Just as he knew the harsh reality brought about by the manufacture of airplanes, he resolutely chose his own ideals or his own art.
"In those summer days, whenever you were concentrating on sketching in the fields overgrown with Miscanthus, I would always lie in the shade of a nearby birch tree. In the evening, you put down your pen and came to me, and we held hands. Stay quietly for a while, looking into the distance side by side. A large thick cumulonimbus cloud with a crimson edge covers the horizon. It seems that something is born on the dark horizon of the twilight...
On that afternoon (it was almost early autumn), one of your paintings had just begun. The easel was set aside, and we were nibbling fruit in the shade of the birch tree. Quicksand-like clouds streamed in the air. Suddenly, a gust of wind blew from nowhere, and the smear of blue peeping at us through the leaves overhead was sometimes narrow and sometimes wide in the wind;
Almost at the same time, there was the sound of something plopping to the ground in the grass. Probably the picture that had been sitting there fell down with the easel. You immediately want to get up and go "Look, but I am afraid that I will lose something at this moment, and I will hold you back desperately and prevent you from leaving my side. You just let me and don't go away.
If this question were asked me, I don't know what my answer would be. I envy people with ideals, but I don't know if I have the courage to accept the cruelty of this ideal.
The Wind Rises
we must live
in a cruel way
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