When I watched this film, I was neither a fan of Amenabar nor Bardem. I only watched this film for two reasons: the best actor in Venice and the Valencian language film. But that's fine. It's better than being both Amenabar's fan and Bardem's fan now. It won't lead to aesthetic deviation because of the two people. The tone of the whole film has always been very flat and soothing. Even if the final struggle bears fruit, and the deep sea sleep is finally achieved, it does not change the rhythm. In this way, it is actually difficult to generate a sense of substitution, and the director's intention does not seem to be to agree with the idea of self-determining his own life and death, but just a protest against a person who can only control limited rights to safeguard his own rights. understand. Martin, who is also a Latino, used to shoot a lot of works in the 1980s and 1990s that did not agree with the proposition but understood the attitude of the protagonist. Maybe it can be used as a movie reference. As for the film itself, due to the sense of substitution, until now, the impression of it is still weak.
View more about
The Sea Inside reviews