Don't fight, so the world can't fight with it

Aisha 2022-04-19 09:02:11

The film revolves around the shocking kidnapping case, telling the whole process before and after the kidnapping case, thus depicting several distinct characters. Paul Getty, the former richest man in the world, a famous oil tycoon. Even such a wealthy person, even when his grandson was kidnapped and faced with tearing up the vote, he still did nothing, and finally paid, he should be able to avoid some taxes. In addition to being rich, I don't believe that anyone, including my own relatives, always thinks that the gift that others buy for my grandson is a gift for travel, just for his money. But he was very willing to spend money on artworks. During the time when his grandson was kidnapped, he even spent a lot of money to buy a painting, but in the end he also lived as a work of art. Christopher Plummer's Paul Getty, on the other hand, was a success because everyone who watched the movie was impressed by his meanness. Fifty, a little Rollo of the Italian mafia, but kind-hearted, risked against the entire organization in order to save the little Getty. Through Fifty, the side reflects how terrifying the power of the Italian Mafia is. Of course, there are also direct demonstrations. For example, after Little Getty escaped for the first time, no one dared to take him in. He finally escaped to a policeman, and he was arrested again before he finished talking on the phone. Michelle's Gael Getty truly shows a mother's love for her child. For the child's custody, she can refuse Getty. In order to save the little Getty, she ventured to Italy. This kind of feeling is only possible with maternal love. pay. Fletcher, played by Mark Wahlberg, is a very capable negotiator who is not only about business, but also dares to talk to the kidnappers. This calmness is really powerful, and he is full of sense of justice at the same time - "The World of Money"

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Extended Reading
  • Aurore 2021-12-21 08:01:05

    Three ringings to Lord Lei. Old Getty’s plays accounted for one-third of the film. In such a short period of time, I can change it without any loopholes. Pu Lao’s performance is worth at least three movie kings. It seems that the characters were written for him. Passy squeezed into this character, Pu Lao exudes not (only) the smell of copper, he is like Goya’s horror and the ghost that emerged from the haze of Rembrandt, is the most terrible kidnapper and sinner, history Compared to Paisi, it's still too oily.

  • Eve 2022-03-26 09:01:07

    Surprisingly good! I really like and admire Lei Gong more and more! The kidnapping case is just the skin. The pursuit of the murder case is not important. After the plot deepens step by step, the psychological analysis of the rich, the parties and outsiders is so clean. Of course, this also benefits from Pu Lao and Mi Wei's magical acting skills, Mark Bo. Grid is not bad? Finally, the philosophical question about [value] does not violate and after all, the world of the rich is not so easy to understand.

All the Money in the World quotes

  • J. Paul Getty: It's a good day.

    Fletcher Chace: I'm glad to hear that, Mr. Getty. It'll make this much easier. We need to pay the ransom.

    J. Paul Getty: I thought you said this was a hoax.

    Fletcher Chace: Your grandson was kidnapped by members of the Calabrese' Ndrangheta. Two of the original kidnappers are dead, and one is missing.

    J. Paul Getty: That sounds like progress to me.

    Fletcher Chace: I'm afraid not, all right? They got nervous waiting for the ransom. They sold the boy to an investor.

    J. Paul Getty: "An investor"? Who invests in kidnapped children?

    Fletcher Chace: You'd be surprised. There's nothing people can't find a way to turn into money.

    J. Paul Getty: You told me that Paul and his mother had cooked this up to soak me.

    Fletcher Chace: And I was wrong, all right? Paul may have talked about being kidnapped with his friends. He put it out there. He's not behind this.

    J. Paul Getty: How do I know that you're not wrong now?

    Fletcher Chace: These people are not the old-world Malavita anymore. Their only code is profit and loss. They will do things to Paul that cannot be undone for any amount of money. We have to pay

    J. Paul Getty: Well, this simply isn't possible. My financial position has changed.

    Fletcher Chace: Really? I mean, 30 seconds ago,you said it was a good day. I mean, I'm not all that bright, but I can multiply as well as you. With oil up as much as it was this morning, you have amassed another fortune.

    J. Paul Getty: Well, what if the embargo is lifted and oil were to crash? I'd be exposed. I have never been more vulnerable financially than I am right now.

    Fletcher Chace: Mr. Getty, with all due respect, nobody has ever been richer than you are at this moment.

    J. Paul Getty: I have no money to spare.

    Fletcher Chace: What would it take? I mean, what would it take for you to feel secure?

    J. Paul Getty: More

  • Corvo: Forgive me, Ms. Getty. Just one last question, regarding your testimony earlier. Why did you think the kidnapping was a joke?

    Gail Harris: It's a *figure of speech*. The whole situation was unbelievable. It still is.

    Corvo: Well, tragic, yes, but not unbelievable.

    Fletcher Chace: It's not tragic *yet*. Maybe you ought to work on keeping it that way.

    [later]

    Fletcher Chace: Did Paul ever talk to you about having himself kidnapped?

    Gail Harris: You've got to remember who the Gettys are. Every time someone stays in the bathroom for too long, someone makes a joke about being held for ransom. Paul might have cracked a joke once or twice among friends...

    Fletcher Chace: [points] There's that word again.

    Gail Harris: What word?

    Fletcher Chace: A "joke". You said you thought it was a joke when it first happened.

    Gail Harris: Now you sound like that policeman. Whose side are you on, Mr. Chace?

    Fletcher Chace: I'm on my own side. Always. And if this is a joke, I'd like to make sure that I'm in on it.