The above plot introduction is basically nonsense, but one thing is true, that is, the novel or script of "JFK The Drunken Master" is brewing. It's just that the person who wants to write this thing is not a character in the play. It's me, but because I am lazy and have no talent, the progress of this matter is currently zero. But this does not prevent me from paying attention to literary or film and television works related to JFK, so I became interested in this TV series as soon as I saw the Chinese translation. Then I discovered that Fu Lanlan starred (he is also one of the producers), which is even more important. The subject matter is to your appetite, and actors are my favorite. Even if you find that this is a bad drama in the end, you have to finish watching it. Even if you kneel down, you have to chase after it. What's more, the show shouldn't be bad when it looks and sells. After all, there are quite decent names such as JJ Abrams and Stephen King behind the scenes.
The most shocking scene in the first episode was the phone booth that was suddenly knocked into the air, and the mechanical "you shouldn't be here" from the people in the car. It feels like all the people who repeatedly remind the protagonist that he does not belong to this era, including the homeless man at the beginning, are a bit like the so-called death controller in "Death Illusion". The most interesting thing about this drama is that its big villain is "history" itself. History is like a ghost with self-consciousness, competing with the protagonist. Or it can be understood that history is a huge program, and the time-traveler like the protagonist is a virus that invades the program, so history is doing everything possible to stop him, or even obliterate him, the candlestick suddenly overturned at the staircase, and suddenly fell. The chandeliers in the city, and even the sudden fire in the house where the protagonist is boarding, these are the insidious tricks of the great villain of history. Thinking about it this way, it seems that the protagonist has no chance of winning at all, because the opponent is too strong. But at the end of the first episode, the protagonist went to Kentucky to eat fried chicken... I'm sorry to avoid the childhood tragedy of his future friend Harry. This move may become the key to breaking the game. From the perspective of the cast, Josh Duhamel, who plays Harry’s father, is also a resident actor this season, which means that he will play a greater role in the future, but it is still hard to say whether it is positive or negative. The ghost of history can figure out what the protagonist wants to investigate Kennedy, and can figure out that the protagonist wants to talk on the phone with his father who has no chance to see the last time, and stop it. But it shouldn't be considered for the time being such an unselfish thing to go through fire and water for a friend, so the protagonist's original simple act of kindness may be a slant sword and a wonderful move in a different way.
There are some cool things to see, and some things that I don’t seem to be satisfied with. The main source of this dissatisfaction is the ambiguity in the explanation of the mechanism of the passage through the little black house. Perhaps the pit will be gradually filled in the next few episodes, but I think that as the key to the establishment of the whole story, it is necessary to give the audience an explanation. And the crossing in this film is too sloppy. It’s sloppy than crying in the toilet in "Charlotte Troubles", so I drilled into a small dark room, and when I closed my eyes, I traversed. How can colleagues who have been traversed by car accidents, lightning strikes, drowning, falling down, and aliens be able to balance in their hearts? At present, it seems that the direction of the story seems to be that the protagonist stayed in the sixties and would not return to the modern halfway through. In fact, restarting once in each episode is also a way, but this method of expansion seems to be more feasible when the old man Al is not dead. The protagonist keeps trial and error, and then discusses countermeasures with Al every time he goes back. It will be a bit like The movie "Edge of Tomorrow" by Tom Cruise the year before, but the protagonist’s body will not be restarted together, but will bring back each time the imprint of time accepted in the 1960s, that is to say, to the side of the 21st century. In terms of people, he will grow old very quickly, and he can't bear to take this path if he thinks about it this way.
In the first episode, the final protagonist’s game strategy has been burned, and the rest can only rely on him. If the game does not exit the small black house halfway, it should be similar to the common domestic story of crossing, but We go through hundreds of thousands of years at every turn, and this show only goes through fifty years, but in terms of American history, this is already a long time.
I don’t know if the protagonist accidentally made history like "Qin Searching". After a series of events, it is discovered that Kennedy must die, so the savior becomes the murderer, and it is precisely because the murderer returned from the future. Kennedy's case is full of mysteries and doubts. The above are all my guesses, because I haven't read Stephen King's original novel.
In the nonsense synopsis at the beginning of this article, Bruce Lee is not purely trying to make up the number of words. I have always felt that the Bruce Lee family's experience with the Kennedy family is a bit similar, at least the two pillars of the family have died young. So I was thinking, can I make a "Save Bruce Lee"? It is about a Chinese American who, in order to improve the social status of their ethnic group, went back to the 1970s to investigate the truth of Bruce Lee’s death, and finally prevented Bruce’s death and made him the first Chinese president in American history. This drama can be made into a Chinese Kung Fu and House of Cards.
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