As the title.
The basic characters are the ruthless killer uncle and the sad loli whose whole family was killed. Fine-tuning the characters, the man chooses to be older and stronger, Uncle Mai; Loli chooses to be more melancholy and morbid, Vanessa, the ultimate life path, the combination will go to the rivers and lakes.
Best of all there are some weird love-hate feuds in there too.
So there is a phenomenon that I personally can't understand: embarking on the road of revenge with the enemy who killed his parents? ! How could this kind of childhood psychological shadow be wiped out? Shouldn't it be a last wish to join the next-door killer team and train hard to kill the enemy?
In the end, in order to convince herself, Sad Loli pointed her finger at behind the scenes, so that she could be together with her uncle without shame. The cold uncle nodded quickly, and the love, hatred, and hatred all returned.
The film critics uniformly believe that both of them have completed their self-redemption, but I can't understand this logic anyway.
There are long-lasting character models, and then there is a dark humorous plot line: a secret agent who is about to retire, his pension is deducted, and the boss wants to make money and kill himself when he is short of money, but he is killed by the old man group.
Originally thought it was a hormonal movie, but I didn't want it at the beginning. The two-minute passion scene between the girl and Uncle Mai is almost the same as the hard disk memory. So I thought it was a hormonal movie, I just watched it, bang bang bang, bang bang bang.
As a result, in another line, the boss Brut is a fat man who is very exaggerated in words and deeds, and has a killing team that looks very powerful, but in the end I only remember the postmodern girlfriend in charge of the team leader. And the girl in charge of catching Kaizi, the former's role is unknown, and the latter's appearance and stature are not as good as Uncle Mai's single mother.
The killing methods of this squad are very low-level, but they have also shot a few retired workers, which makes people suspect that Damocles is probably only a reliable employee of Uncle Mai, so every time he mentions Black Caesar, he shivers.
In addition, there is a Vivian who is similar to the role of the office director. She hits her face with a widow sister, but she feels that she has other part-time jobs. She runs various COS clubs and nightclubs. Her personality is also ambiguous, and the character setting is a bit strange. The strangest thing is that this vague character has no lunch at the end, making it clear that there will be a blurred cameo in the sequel.
So this movie shows a kind of refined temperament. On the one hand, the uncle and Loli, who are in the dark and dark colors of the ice and snow, sympathize with each other; on the other hand, there is the dazzling drug-taking scene of Damocles and the killer team; When they entered the enemy's lair, the agents took the initiative to inform the boss that they were "on the top" when they defected and passed by. The last fat pig's head was thrown in front of the colorful building, emmm, what port, WTF?
It is not easy for Uncle Mai to maintain a poker face in front of the funny burden.
But the movie isn't ugly. Mainly because Uncle Mai was in the state of the whole process, and secondly because such a finely divided plot was quite harmonious, and also because of his preference for explosive fights, and there were also some heart-warming scenes similar to naked sniping in ice and snow.
Four stars is too much, but one star blesses Uncle Mai's butt. After all, the last butt that I can't forget is Leung Ka Fai 20 years ago.
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