In front of our parents, no matter how old we are, we will always be children.
We always unswervingly love the way of life we choose, and always think that living is to get rid of, to get rid of the fate arranged by our parents.
I watched my favorite movie "My Father My Son" again and again burst into tears.
"Did you see it? No one can stop someone who wants to leave."!
Perhaps, every young person will be mature enough and grow up, always yearning for independence, and can pursue and run for ideals when they are young. Nothing is not worth it, nothing is too hard. We don't see the same expressions and desires that our fathers have when they come towards us, and we will always just chase after their backs. What we seek, they have sought, and what we are about to lose, they have lost. However, no one can stop our desire to go and the pleasure of walking on the road. Unless, when we are forced to stop, we find that there is someone behind us who "needs a home, a home where we can come and go freely" just like us.
"My Father My Son" An idealist's spirit collapsed, who can stand behind to accommodate this ruthless reality and cruelty. When a person loses his home, his ideals, and his dreams, all that can hold him back may be an embrace.
Turkey is an unfamiliar country to me, and in the messy historical background of the film, I can still find that clear emotional thread.
The real cruelty is blurred and lost.
SADIK is a superposition of youth and helplessness.
Military coup, faith defeat.
The dawn of Istanbul is different from the past, holding the newborn son, the happy wife of the past has become a cold corpse. A coup in a poor country, the collapse of the healthcare system, is powerless to blame. Because that's SADIK, the country that has been working hard for it. Lost the country, lost the meaning and value of working for it, lost the home, and the death of the wife can no longer be called a complete home. Covered in blood, he endured dully, because he was about to endure and face more.
During the seven years, he was severely tortured after being imprisoned, and was excluded after being released from prison. The reason is his identity as a leftist journalist, which may be explained as a tragedy of an angry youth.
After helpless, he could only take his 7-year-old son back to the home he had left for a long time.
A home where you can come and go freely.
A home that he had insisted on leaving before, thinking that he could never go back for a lifetime.
To face a father whom he insisted on scolding before, and who was always stubborn.
The father, who has not met and talked for 15 years, went to seek understanding, to seek his accommodation, and to give his 7-year-old son a complete home.
Because he can no longer give, he has lost all that should be lost, and the only thing he can do is to reduce the loss.
SADIK's youth is pale and powerless...
What's so good about the movie? There are some delicate things that cannot be touched, which are perfectly presented. Tears flowed again and again, not only from the dependence of family affection, but also from our compassion for ourselves. In our hearts, there are times when there is nothing we can do, and there are too many things we want to do, and in the end we find that it becomes extremely difficult to sincerely give a hug to those who love us and those we love. Too much bitterness and suffering is not important, what matters is whether you can hug again after the experience.
No matter how far you can go strong, tell your parents that your weakness trumps your success.
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