I read it again.
The old Buddha finally said to his wife in the nursing home: They must never know that you and I have considered each other at all costs [simple song]
I paid attention to the lyrics, the first paragraph of simple song is:
I feel complete I feel that my life is complete.
I lose all control . I lose all control.
I lose all control. I have no control.
I respond
.
When the old Buddha said that to his wife, he was actually confessing: We happened to fall in love, and it happened naturally.
And these words said at this time, there is another meaning, but it did not say: it went away naturally.
This paragraph can be regarded as a summary of the old Buddha's love: it came vigorously, and now it is gone coldly and sadly, so be it.
What’s interesting about this passage is that when the
old Buddha spoke to his wife:
they...they...they...
and the lyrics of simple song are:
I...I...I...
love is my own business, but life There are always more of them.
Skydiving is also a turning point: before seeing the skydiving, the old Buddha was distraught. He was crying and distraught.
After seeing the skydiver, the skydiver said: I think i should not land here.
Then the old Buddha turned the cloud away to see Yueming, and smiled.
He felt that God was telling him that he should jump out instead of where he is now.
Lao Mi finally said to Lao Buddha: Emotion is everything.
The old Buddha said that he would go home at the end of the holiday and continue to follow the rules.
And Lao Mi said he didn't want to be like that, he didn't want to follow the rules, he wanted to practice his desire.
Then he jumped down...
Brenda was going to die on the plane preparing to take off, compared to the previous conversation with Lao Mi. She regretted deeply.
Maybe everyone thinks that Brenda has harmed Laomi, but I think that Branda is the cause of Laomi.
Without Brenda's meanness, Laomi's life would not be truly complete.
When Lao Mi sent his apprentices back, he stubbornly stood on the opposite side of him and educates them to learn to survive in the jungle from reality. However, on the way back, the role he directed was lingering, passing the scene like Ukiyoe. In Lao Mi's heart, how could he abandon his ideals, he took off his hat, suffering and uncomfortable, he blamed himself for what he said against his heart, and he was deeply sorry for his inability to deviate from his own ideas. He must have remembered what Brenda said: Even without those junk movies, life has to go on. But he knew how to continue?
Lao Mi took the prostitute and said, let's take a walk. I believe he must just take her home. The mother of the prostitute who appeared twice in the film sent her to the hotel for the night shift (the first time was at the beginning of the movie, Lao Mi’s first appearance was in this scene, the expression is slightly complicated), it is really heartbreaking, a mother, send herself What an unimaginable embarrassment behind her daughter’s going into prostitution. When Lao Mi looked for her, she was dressed and she was no longer sexy, indicating that it was late at night and all the business she was supposed to do was done, and she would leave work at dawn. At this time, Lao Mi said, I went to the ATM, and then took a walk to take her home. I believe that he must have taken a lot of money from the ATM, because at this time he has decided to commit suicide tomorrow. He must have given all his money to the prostitute... Lao Mi is really a very loving person. I cried...
After talking to Brenda, Mi seemed to compromise. But the show at night is: Bubbles.
The bubble is so big, so long, so beautiful. But still: broken.
Here is an insinuation: Lao Mi's belief in life is broken.
Later Mr Q said to him: You are the director of an era. There is also an meaning that I didn't say directly: it's just that that era has passed.
Maradona, he was on the balcony at night, and Angela asked him what he was thinking when he massaged his feet.
He looked at the phantom of his childhood outside the balcony, but said: the future.
Damn, this simple scene made my brother cry so sad.
What is the future? The future he wants is actually just the joy of playing football in his childhood.
Everyone may wish to think about it, what does your future look like?
There is also a masseuse, through whom we understand the meaning of touch to people, she is simply a symbol of purity. When we were all babies, we had no hearing and vision, and we could only feel the love of our parents through touch. Touch is the most primitive communication of mankind. The film portrays her to convey the film's interpretation of human nature and purity, which is very appropriate and in place.
The conversation between the old Buddha and the doctor was also very interesting. The old Buddha had been thinking about his illness before. At this moment, the doctor told the old Buddha that he had no physical problems, but he was at a loss. The doctor reminded him that what awaited him outside was youth. This is actually to tell everyone that by letting go of the burden in your heart, you can enjoy life to the fullest, and enjoy life, that is youth. Therefore, it is not a pity that you are old, but you should always remind yourself not to miss too much in your mind and to enjoy life.
The doctor told the story of Lao Mi and Gilda: Lao Mi held hands with Gilda and walked in the park for a while when he was a child. That moment was what Lao Mi said [the time when I learned to ride a bicycle]. Don't worry, Laomi respected him after all, and nothing happened with Gilda. Second, it corresponds to what he said when he saw a child riding a bicycle before. Mi said that he remembered [the time when I learned to ride a bicycle]. Of course, this kind of moment is pure happiness. Lao Fo took it for granted that it was wrestling... It can be seen that Lao Mi has been happy and optimistic from childhood to old age; while Lao Fo has been bumpy and has experienced hardships in career and love... He also confessed to Lao Mi that he has never loved life enough. . The digression is that I am pursuing art too much (perhaps art is also a kind of fame and fortune). Later, he finally let go of his psychological burden and went to direct the birthday party. He also wanted to tell us that the old Buddha finally no longer cared about the oneness, no longer cared about the past, he became a simple man again, a simple person.
There is also an interesting part of the movie. Two very delicate couples did not speak during a few meals. Finally, once a woman slapped a man and then there was a scene of wild meeting in the woods...I After observing it, it turned out that when the old Buddha’s daughter appeared in the restaurant, the whole audience noticed her beauty. The husband of the old couple shook his hand while drinking the soup, and the soup fell from the spoon. Something came out, indicating that he was looking at the old Buddha's daughter and was distracted. But his wife noticed this, knowing that he was tempted, and hit him. Note that when she hit him, he turned sideways, but didn't get up, but was ready to slap him. This shows that the two of them are actually playing SM games! Both of them pretended to be very delicate, but their lusts were wild. I usually stare at each other. Whoever catches the other person without holding back his lust will be punished...I am
old, and the things I play with are very heavy...
The plot of the old couple in the movie is to express: the person is old , Can't play like young people, lust must be hidden. The call of the old woman to climax in the bushes is really moving, life is rare and enjoyable.
This plot is also quite a piece of topic, using OLD to write YOUTH.
And we young people should cherish the good times even more, don’t wait, turn our heads, empty and sad...
Old Buddha's daughter LENA is also a very interesting line. The first appearance was when she was going to HAVE FUN with Lao Mi's son. The result was a nightmare. She played very well, a lively and elegant woman, but also full of immature rebellious feelings. When she was doing mud SPA, she had a temper with her father, and she couldn't see the understanding of her father's hard work as an adult. She interacted with Lao Mi's son, and such a scumbag. Was she an idiot when she saw someone handsome? In addition, when the Queen’s special envoy came in the room, she leaped like a deer in the corridor to inform the old Buddha. The special envoy was so nervous in the room that he shook his cigarette twice. Obviously, the special envoy was not because the old Buddha was nervous, but because he and the old Buddha were nervous. The daughter met each other, one for her identity and the other for her beauty. From this time on, I understand that she was thrown away, but it is not surprising at all, because as the daughter of a master, she is more like being spoiled and losing basic values. When Miss World played for the first time, Miss World fought with Mr. Q. It was obvious that Mr. Q was defeated. Miss World was neither overbearing nor overbearing, so that everyone around him was silently admired. At this time, there is a very interesting detail, that is, LENA next to him was suddenly infected with HIGH. Because she was thrown away before, and after confronting her father, she was indirectly criticized by her father (your mother can understand you, I only understand music), so she has always been depressed. At this time, seeing Miss World slap Mr. Q in the face, she was infected at once, and her lust came up at once, so she stared at Uncle Climber, her eyes full of lust. The uncle was also taken aback. This not only portrays LENA's little girl-like emotions, but also reflects the relationship between male power and feminist power. So many things can be expressed with a simple look, and the screenwriter skills are very deep...The
reason why Lao Fo's daughter is arranged in this way in the movie
is to explain that Lao Fo is not indifferent to her daughter, on the contrary, it is just a good caring, otherwise Will you be so spoiled as you are now?
Secondly, I also responded to the Lao Buddha’s tearful words to Lao Mi when he walked for a walk [I have made great efforts for my children, but in the end they grow up but they don’t remember], and the Lao Buddha said when he visited her wife [Children] We don’t know the ups and downs of their parents]. This arrangement seems to be normal and natural, but it is strong on the back of the paper and carved into the wood. The relationship between Lao Fo and his daughter, between Lao Mi and his son, between Lao Mi and Brenda, and even Maradona and football, will drift over the years and slowly disappear into the wind, and bring out a A more grand proposition: [Human effort and value, like youth, will not stay forever] The
head of state must talk about it. The head of state will only appear at 1.13, and the breakfast will give a lesson to the people in the resort. Among them, the action of wiping the nose after eating is actually imitating the old Buddha. Before, the old Buddha had several such actions of wiping his nose, which can be said to be his signature. When the old Buddha saw him performing his own actions, he must be very emotional: he is a professional actor, and his observation ability is in place.
Later at 1.19, the head of state said to Lao Mi: I have been studying hotel guests for a week, and I have carefully observed you, Lao Fo and his daughter....... This also corresponds to why he can perform a lot as soon as he appeared on stage. People's movements, because he has been observing for a long time.
but!
However, this also illustrates another problem. Since he has been observing other people in the hotel for so long, and the big house doesn’t know... this is the real skill, he must have acted as an unknown crowd. , And then quietly observe everyone... Then choose a day, re-dress as the head of state, come on stage, and give everyone a surprise as soon as they appear on the stage.
Master-level actors, the homework they do is also master-level.
Here we can compare Mr. Q with the head of state, sorry you are too young, too simple, some times ……
Then the head of state sits on the stage in the square with a 45-degree slanting body, and said something to the great director:
[I have to choose, I have to choose what is really worth expressing, fear or desire. I choose to crave. Every one of you, you have made me enlighten and let me see clearly, I should not waste time on meaningless fear. In this way, I can no longer play the head of state, I want to express your desire, my desire, so pure, so impractical, so ethical, it does not matter, because it is these desires that keep us alive. ]
Meaning heads of state, not just to say such words above reason. Rather, because he said this to Lao Mi, and Lao Mi listened to it, only then did Lao Mi have no fear in the face of death, so that Lao Mi finally became his own actor and practiced Lao Mi's own heart. Thirst. Because of his pure, impractical, and moral desire, Lao Mi made the most true interpretation-he jumped, but he really lived.
The appearance of the head of state is not the end of a 45-degree soy sauce, but the most powerful theoretical support for Laomi's line in the entire movie. The role of Lao Mi is therefore complete and true.
By showing the life path of multiple social class roles of different age groups, the film makes people think about a question: Where will we go after youth is gone?
Mr Q quoted Novalis in the conversation with the old Buddha: We are always on the way home.
(The original words of Novalis should be: Where are we really going? Always home.)
Or, where we come from, we will go back.
[End] The
following is an excerpt from the lyrics of simple song
"Simple Song #3" (from the movie "Youth | La Giovinezza") Lyrics
feat. Sumi Jo, Viktoria Mullova
I feel complete
I lose all control
I lose all control
I respond
I feel chills
I break
I know all those lonely nights
I know all those lonely nights
I know everything
I lose all control
I get a chill
I know all those lonely nights
I die
I hear all that is left to be heard
I wish you would never stop
I've got a feeling
I live there
I live for you now
I leave no sense behind
I feel complete
I've got a feeling
I wish you're moving like rain
I'll be there
I'll be there
I lose all control
[violin instrumental]
When you whisper my name
When you whisper my name
When you whisper my name, whisper my name
When you whisper my name
Ooooooooh (x3)
Whisper ...
When you ...
Whisper ...
When you ...
[instrumental ending]
Read more: David Lang-"Simple Song #3" (from The Movie "Youth | La Giovinezza") Lyrics | MetroLyrics
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