Using flashbacks, Jane Eyre escaped from the manor and stood blankly at the vast and barren crossroads. The scene of her lying down on the seaside boulders is very similar to the 2006 BBC 4 episode TV series.
1 Young Master John is a clown without a neck. This time it was Jane Eyre's most powerful fight against Little Reed. Mr. Brocht here is also the ugliest in history.
2 Jane Eyre's rural teacher's annual salary has become £15.
3 Everyone in the manor does not know Adele's life experience. Jane Eyre, who knows French, reveals Adele's past to everyone.
Adele isn't very pretty, but she's cute. It was she who told Jane Eyre that there lived a mysterious female vampire who would appear in the middle of the night and roam around and laugh.
4 Jane Eyre said to Lady Fairfast that she had never seen a city, had never spoken to a man, and that she did not want to spend her life like this. The lady asked her to help herself out and send some letters.
5 As soon as he met Rochester, he assumed she was a governess, so he arranged for Mrs. Fairfast's advertisement. Returning to the manor Rochester, the tutor's previous work was immediately checked and assessed. Through the conversation, I learned that this chance encounter was three months after Jane Eyre joined the company. There are no piano passages in this version, no discussion of gifts, and the two of them only define tragic fate.
6 This Rochester likes to smoke, like to hunt, not a weirdo.
7 On the night of the fire fighting, Rochester told Jane Eyre that I would spend my life repaying your life-saving grace.
8 In geography class, Jane Eyre mentioned to Adele that there is a country called China in the far east.
9 The servants at the manor appear to be members of the Rochester mother's Fairfast family. The Miss Ingram called Jane Eyre a "monster".
10 Jane Eyre offered to ask Rochester to pay her annual salary to pay for her trip to see her aunt, and called Rochester an untrustworthy person.
11 Jane Eyre took the initiative to send a letter to contact her uncle who was far away in Madeira.
12 The stone bridge where Jane Eyre crossed the river was very peculiar, and the bridge was only wide enough for one person.
13 Jane Eyre's suspicion of sudden love is very real, very appropriate, and it is very accurate and successful to show it.
14 Richard Mason resembles Viserys, the beggar prince from HBO's Game of Thrones.
15 I think this wedding dress should be the most beautiful.
16 Rochester has been sleeping outside the door waiting for Jane Eyre to come out to speak to her in time, and this detail is also well adapted. Rochester told Jane Eyre that her father, greedy for money, made him marry Bertha without him ever meeting. They lived for four years, and he couldn't bear to send her to a lunatic asylum. Many versions claim that Rochester was held in prison by an "obligation". Frankly speaking, this show is unique, very characteristic, and worthy of praise.
17 St. John took a portrait of Jane Eyre because he saw a lawyer missing notice in the newspaper. At night, St. John came in the snow and told Jane Eyre that she would inherit 20,000 pounds of inheritance, and Jane Eyre hoped to become brothers and sisters with St. John's brothers and sisters and share the inheritance. It's a pity that St. John's performance was too poor after his marriage proposal was rejected, which is a pity.
18 Stunning wilderness, broad green fields, and great background music. Jane Eyre heard the call, she turned to look for them, and they reunited under that tree...
Jane Eyre helped Mrs Fairfast to send a letter to the bird that suddenly flew out of the hill; Jane Eyre locked herself in the room for a long time after seeing the mad wife, and after she came out, Rochester took her into the house and struck a match to make a fire for her , these two shots are very interesting, and are good impressive trick shots.
Their first long-form dialogue was performed very well. The lines were in line with the identities and personal qualities of the two protagonists, fully demonstrating their respective personalities and psychological activities, and accurately summarizing the past and attitudes of Rochester and Jane Eyre. The development of the plot is very cleverly laid out.
This is a very exciting version. It draws on the advantages of previous versions. The plot is very compact, and the lines are refined and solid to the pinnacle. Generally speaking, the screenwriter is very level, the adaptation is very in line with modern people's cognition of the development of events, and the plot is handled reasonably and smoothly. The character portrayal is not rigid, not excessive, and vivid.
This is a kind of goofy Jane Eyre, her look and her energy remind me of Carly from Homeland. And Rochester's actor has carried out a perfect and accurate interpretation of the hero's affectionate interpretation, which should be the best in history.
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