This woman blows my mind. A warm and tragic life, great sorrow and joy, is never just a touch of water. You think she is not in pain, but you cover up the sadness in the depths of life with your passion for life. The kind of sincerity and fervor, love if you want to love, hate if you want to hate, but it is the kindest and softest. Just as Diego described her paintings: Frida's paintings are sharp and warm, as hard as steel, as soft as butterfly wings, as touching as smiles, and as cruel as the pain of life.
From a carefree young girl and a harmonious and happy family of origin, she lost her healthy and complete body in a major car accident that changed her life. God closed a door for her and opened a window at the same time , Destiny destroys life, but it can also shape life. In Frida's own words, the car accident and Diego were the two biggest disasters in her life, but her character also brought about an extraordinary life. Destiny shapes people, and Frida shows us: how people live together with destiny, reborn life in the raging fire, and repay it with songs when fate kisses me bitterly.
After the car accident, the family's burden of medical expenses became heavier and heavier. Frida didn't want to worry her parents so much, so she began to think of selling paintings to make a living. She went to Diego, who was one of the three masterpieces of Mexican murals at the time. She had a relationship before. At first, it was just to let him help with the painting. She never thought that the two people were intertwined hotly. At this time, Diego was already with the second one. Ren's wife divorced, and then naturally married Frida.
At the beginning of the movie, Diego's romantic temperament, infidelity in sex, he also told Frida about his "sex view" before marriage. Later, Diego's series of derailments also caused the two to divorce. And the reason for Frida's series of turmoil, but also because it has painted a major brush with Frida's fate.
Frida used paintings to describe fate, and paintings were legendary because of the ill-fated fate. Her paintings and life are an organic whole, which can no longer be separated. It is unclear whether it is the paintings that shaped the life or the legendary life that made the paintings.
At the end of the film, at the end of Frida's life, Diego's first words at the exhibition already brought tears to the eyes: "The girl is shouting from below: 'I won't go up, you come down.' Of course It's me who's going down." In a burst of laughter, people were instantly pulled back to the very beginning of the movie, and it was also when they started to get acquainted. It seems like a really long time has passed from the beginning to the end of the movie, so long that I almost forget that this is only a two-hour movie, but it tells the life of a famous Mexican female painter. The time of a lifetime is condensed into two hours, the content expressed by the film can no longer be described as rich, it is shocking.
Just as Diego was introducing Frida in the Frida art exhibition, Frida was lying on his bed and being pushed into the public eye by the doctor. It was unexpected, even the final appearance was so artistic personality. Frida never seemed to be bound by any feudal tradition, and her two most painful things were the eternal physical damage caused by the car accident, and the struggle between the gain and loss of love. She wants unwavering love, and Diego can't give her that, but it's because Diego's romance is why Frida loves him, which seems paradoxical, but not a paradox.
From the car accident, the source of the disaster, to the union with Diego, her life has never been easy, but she has always maintained her unchanging sun-like warmth and tenacity. It is very simple, she is just living herself.
In addition to the praise and shock of Frida himself, the whole movie is a must, from casting to creativity, it is all integrated, as well as the unique Mexican culture, niche but exquisite, in this sad movie theme It is easy to fall into sensationalism in the film, but it does not. It is profound and does not deliberately show pain. The film depicting Frida's illness is actually not as profound as depicting her experience. In her casual dialogue with the philosopher, Yun Danfeng Gently bringing out the pain of her body is like telling someone else's story, but it makes the listeners even more unbearable and admirable. Her life, expressed in paintings, is not bad. The film uses collage, painting, exaggeration, black and white processing and other techniques to match the artistic theme. The picture texture and narrative form of the entire film together constitute a work of art.
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