Hornbill Raphael's Happy wife, happy life, is undoubtedly the core of this episode. The Blue family traveled 2,000 kilometers to the core of the Amazon, and Pearl showed how comfortable she was in the place where she grew up. But Bruce is not accustomed to all kinds of soil and water.
Disagreement is only one aspect of it. The old father-in-law is at odds with Blue's views. The appearance of Gao Fushuai, who is Pearl's childhood sweetheart, even won the admiration of Blue's three children. It's a crisis here.
Of course, as the film goes, it begins with Blue's change for Pearl, and in the end, Pearl and her father-in-law all make changes for love and family.
The Rio Adventure series has a natural dependence on special effects production, from the opening group dance, the cabaret performance interspersed in the film, to the final reunion dance. It can be said that the flowers gradually become charming. It also pushes the film to a climax step by step.
The first, the development of the parrot and the human story in two lines, has a tight plot that complements each other.
In the second part, Blue Sky Studio seems to think that the story will make people feel aesthetic fatigue? So the three so-called villains (parrot, tree frog, anteater) were blinded, and they basically took on the continuous laughter of the whole film. And originally this villain should be the propeller of the film, but these three villains are independent of the storyline, but people do not feel any sense of disobedience. Moe turned. There are too few human scenes, and the villain can be said to have advanced the entire story. The soul characters of the two films have come all the way, Linda's sturdy and Tulio's useless firewood are shown one by one, which is not helpful for the direction of the story.
Let Blue and Pearl change their moods to advance the story, which is also a change, and it also brings the ease of the story rhythm to the film and the simplicity of the storyline. In order to make the film not so bland as water, continuous song and dance performances are interspersed in it. Of course, the unique enthusiasm and unrestrainedness of samba music can always make me interested in watching movies when I feel that the plot is boring. However, if the third part continues to be produced like this, it will undoubtedly bring aesthetic fatigue.
In the film, the Bru family flew all the way north and passed through several big cities in Brazil, which ignited my travel heart. For example, at the beginning of the film, Blue and Pearl attend the New Year's dance and leave their children to Raphael to take care of them. After meeting at the dance, they find that Raphael said to give Luiz, Luiz to Nico, and eventually they need to take care of themselves. It is indeed the helplessness of my own existence.
For love and family, wait for your daughter to be older, hehe. . .
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