have heard "Life of the Rose" covered by Lisa Ono countless times.
At first glance, piaf in adulthood feels familiar, and I try to think about it. It is Guido's wife in "Nine" and the heroine of "Two Little No Guess".
Although "Nine" is a bad movie under the guise of a gorgeous song and dance prodigal son, the two beauties in it still left a deep impression on me. Impression
that this actor went from a dignified wife to a rough-spoken, irritable and paranoid artist, a forbearance, a weak, a strong and sonorous one
. The turmoil of childhood did not make piaf grow into a loafer who survives by stealing or robbing.
Although she is also in the future As an adult, she was alcoholic and full of foul language, but her heart was full of love
and hatred. Gratitude for the friend who composed her music, dependence on the sisters who accompanied her, tender memories of the dolls her father gave her, and hatred for the mother who abandoned her as a child. In a shabby and dimly lit tavern, she leads the poor people who deal with her every day to sing
her love fiercely and on a whim like a little girl. In the long letter written on the chair imaginary when she was parting,
she ended up drinking heavily, injecting a lot of morphine, and consuming her life. The doctor said when did you
finally say it: after the plane crash in Marseille,
when a reporter interviewed her, she asked: "Do you want to give a woman to a woman?" What advice?"
"Love"
"Girls?"
"Love"
"Children?"
"Love" Love,
even if you suffer a lot.
Her life, just like that song, has no regrets, no regrets.
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