There was a time when I was very angry with Xiang, and if it wasn't for his curiosity, Arrietty wouldn't have left home.
When the little girl appeared, I was moved to tears again. Many people will talk about how the painting is technically, how the dubbing is, and how the style has changed.
I only focus on stories, or I can only understand stories. When the leaves trembled and the little girl showed her face, it was all so beautiful.
Then I put myself into the movie as usual, I may be Xiang, or I may be a little girl or my grandmother, A-Chun, and my parents. I feel that everything is warm and loving but I can't get rid of a touch of sadness.
As a child I also liked to catch insects and shut them up in a cup, a kind of possessive triumph that made myself momentarily happy, and then found it dead in the cup, and I would be as restless as if I had lost something for a long time. Really lost.
Arrietty's family is lonely, and my mother can only use photos instead of seeing the sea. Xiang is lonely, his parents are not around, he is seriously ill. Auntie A Chun is lonely, and her desires can only be vented when she catches the little human race. And who is not alone in this world?
If he hadn't seen the little girl by chance, Xiang might have been lying in bed all day waiting for surgery.
If Xiang was not curious or kindly gave the sugar cube to the little girl, the little girl might grow old here, and then she would borrow things skillfully. And then she can only use photos to fantasize about the real thing.
If there is a magic scene at the end, heal Sho's heart disease. Is this perfect?
When Arrietty took off the clip and gave it to Xiang, I knew they would never see each other again. When Auntie A Chun said that they stole something, Xiang retorted excitedly for the first time, no, they borrowed it.
Arrietty shed tears while holding Xiang's fingers and said, thank you for protecting me.
At this moment, I understand why it is called a loan.
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