Looking at the familiar street scenes in Rome, like the other two urban films, it all started with tourists. The traffic police on the familiar road never showed up after saying that sentence...I don't want to be too balabala, but Woody Allen just kept talking and talking. He was quite creative when he turned his in-laws into opera singers. Besides, the architect who revisited the old place never really appeared, or had any role in it, I didn't want to understand.
I quite agree with the irony of the Italian media and the public. One person suddenly became popular, and after it became popular, everything about it was wildly sought after. Then, another person became inexplicably popular, and he was lost again. Isn't it, blindness, vanity, and the loss
of Juno and Mark's love, which is a bit nonsensical to me, but it's a surprise to find that Juno is cool and has a sexy side.
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