produced: Berlin Deckla Film Company 1919
Screenplay: Karl Mayur , Hans Janowitz
Director: Robert Wiener
Photography: Willie Hammerst
Art : Hermann Warm, Walter Lehmann, Walter Lülich
Compiled by: Teng Guoqiang
Title : Inside Zhou Zheng
Garden, exterior scene, during the day,
Francis and an elderly man sitting on a bench in the garden. A few low trees and patches of bushes surround them on the left and right sides, and a high wall behind them isolates the garden from the outside world into two different worlds... This environment adds a bit of desolation. , Sad impression.
At this moment, the old man raised his left hand, facing Francis who was sitting next to him, and said with relish: "... there are ghosts... there are really ghosts... everywhere! They always surround me. Drove me out of my house and separated me from my relatives alive..." The old man was talking, and he walked out like a fairy from behind a few low cedar trees on the right. The woman in a white mopping dress is Yana. Francis caught a glimpse of Yana, and a look of excitement and joy suddenly appeared on his face. He straightened his upper body and looked at Yana. At this moment, Yana lifted her hand lightly, pushed away the few bare branches in front of her, and then walked lightly past the two men. Francis and the old man stared at her leaving. While keeping his gaze on Yana's direction, Francis grabbed the old man's arm and excitedly said to his partner: "This is my fiancee..." And Yana walked to the front of the high wall. In front of the bushes, she slowly turned back and walked back, her eyes looked straight up, never squinting. Francis stretched out his arm, pointed in Yana's direction, and continued: "The things I have experienced with her are actually far more bizarre than what you have encountered!" Then, he slowly turned his head to the old man and continued. "Now, let me tell you what we have experienced!" Yana then walked to the front of the high wall again, her body was covered by a few low cedar trees, and then again Turned back and walked back once. Francis' eyes were still staring in the direction where Yana was, but the old man's gaze fell on Francis at this time. "The town where I was born..." The
market square, the exterior scene, and the daytime
background is a deliberately rendered portrait of the town that violates the principle of perspective. The small city stands on the back of the mountain, scattered on the mountainside. On the top of the mountain stood a church, and a road climbed up. The middle shot is the top tent where the moose gather in the market, and a long stairs with guardrails leads to the market square.
Garden, location, during the day,
Francis clenched a hand into a fist on his chest, still preoccupied with telling his story. The old man beside him also listened intently to what he said. Francis leaned back slightly, and continued: "He..."
Market Square, exterior scene, daytime
In the middle shot came an old man wearing a top hat, wearing a black cloak, leaning on a cane, and holding a thick book under his right armpit. He is Caligari. Caligali walked slowly up the steps.
Garden, location. During the day,
Francis stared at the sky. He put his fisted hand on his chest and continued: "Ah, Alan, my friend!" The old man sitting next to him stared blankly. Looked at him.
Alan's room, interior view. During the day,
Alan was holding an open book in her hand and was reading with a lamp placed on a small cabinet. Behind him is a small window through which the "light" draws a star-shaped pattern on the floor of the house; on the wall there are patches of "light and shadow"; there is a bed on the right side of the room, There was a chair in front of the bed with an unusually high backrest. While reading the book, Alan gradually left the lamp, walked to the chair, and put his right hand on the back of the chair. After a while, he turned his head and looked in the direction of the window, then looked back at the book uncertainly, his lips still moving slightly. However, after a while, his head turned to the back involuntarily, and the hand holding the book also dropped. Alan finally closed the book, put it on the small cabinet, turned and walked towards the back window. He leaned forward, stretched his neck, and looked out the window enthusiastically: on the left side of the window is a row of roofs, on which two long slender chimneys stand. After a while, he left the window, turned around, rubbing his hands restlessly, and pacing around the room. Then, he finally lifted his coat, put it on his shoulders, picked up his hat, and hurried out of the room.
The small square in front of Francis's house, the exterior scene, during the day,
some narrow alleys extend from a central square to the surroundings. The houses on both sides of the streets are low and simple, and the walls of the adjacent streets are curved into an arc in the opposite direction. There are sparsely passing pedestrians on the street. A person in the back view was standing in the square and distributing flyers to pedestrians. Alan turned a house and walked forward. He stopped, reached out for a flyer, and read:
Extra!
Outside the Holstenwall Fair!
There will be a variety of unprecedented performances at the market! (Subtitle)
Alan read it, then disappeared inside a room door.
Francis's room, interior view,
Francis was sitting at a small table during the day , studying with great concentration. There is a bookshelf beside the wall on the right side of the house; facing the street is a spire window, "light" casts a zigzag "light and shadow" on the wall through the window; in the foreground, under the dome-like ceiling, there is A leather armchair with a large and heavy footrest placed in front of the chair. Francis heard the sound of footsteps outside the door, and turned around... Alan rushed into the room, then leaned on the arm of the chair where Francis was sitting, and showed Francis the flyer that he had just obtained outside. . Francis read the leaflet with a smile, and Alan put a hand on his shoulder, determined to mobilize his friends to see it together. "Let's go, Francis! Let's go to the market to play!" Alan kept urging from the side. The two people looked at each other and laughed heartily at the end.
City Hall, interior view, daytime
On a corridor in the city hall. The walls on both sides are painted with many weird patterns, and the tops are almost arched. Two walking and talking people walked over from one end of the corridor, and then stepped out of the picture; then, a lady who had just walked out of a room disappeared into a gap in the distant view. Almost at the same time, Caligari emerged from the gap and came to the corridor. He still wore the top hat on his head, wore a black, wide cloak, and hobbled forward with a cane in his hand. Caligari stopped and checked the number on the door. Seeing that it was wrong, he walked forward again. After walking a few steps, he stopped again and checked the number of the second door. Seeing that it was still wrong, he moved on again. When he came to the door of the third room, he saw some strange symbols painted on the doorpost. Seeing that it didn't look like it, Carrigali walked forward again. At this time, a man in suit and leather shoes, who looked like an official, walked up. When the man was about to pass by Kaligali, he leaned in and saluted him slightly. Caligari quickly took off his hat and bowed back. Then he put his hat back on and grabbed the man to start a conversation with him. As he said, he took out a business card from his pocket under the cloak and handed it to the official with both hands. However, unexpectedly, the official avoided with a gesture of refusal and contempt, and then said: "You'd better not go in! The city secretary is in a bad mood today." (Subtitle) I understood this, and hurriedly put his hand in the pocket under the cloak again, took out a paper currency from it, and handed it over. Seeing this, the official-like person shook his head at the beginning and held back for a while, just inadvertently, the person hurriedly glanced at the ticket, and quickly took the money and put it in the suit. In the inner pocket, he also took the business card that Caligari had always held in his hand. Then he walked ahead, followed by Carrigali. On the trapezoidal business card, it was written in a curved font: the words Dr. Carrigali (subtitles).
Office, interior view, daytime
This is a tall, spacious room. At a glance, the room stretches back and becomes narrower. The walls are also painted with strange patterns. In the room, there is an official sitting at the desk. On the right side is a tall inclined table against the wall. The city secretary, Xiong, was sitting on an unusually tall stool beside the table and could disregard everything in the room, and was speaking with two people holding top hats and standing respectfully below. Just as he paused, raising his arms and stretching his waist, the official who had just met Carrigali in the corridor walked away without losing the opportunity to talk, and handed the city secretary Dr. Carrigali up with both hands. Business card. The city secretary glanced down at Carrigali, who followed the official and saluted him respectfully, and drank: "Wait!" (Subtitle)
Carrigali walked towards a small bench, slow Sit down slowly. The city secretary then made a negative gesture to the two people standing aside. Those two people obviously didn't give up, and they were still dawdling there.
Caligari's gloved right hand tightly grasped the knob of the cane, and he looked a bit sullenly through the glasses clamped on the bridge of his nose towards the city secretary sitting high on the high stool. He looked in the direction, and then reluctantly lowered his head to stare at the ground...
The two people standing by the high inclined table finally exited the office angrily. The city secretary turned through a thick book on the table attentively. Seeing this, Caligali stood up and walked towards him. The city secretary sat up straight, glanced down at him, and
sternly shouted: "Wait!" Caligari returned to his seat and sat down slowly. The city secretary shook his head unhappily, and was immersed in his work again.
Caligari turned his head to the other side angrily this time, still looking at the ground.
The city secretary sorted out some scattered pages on the inclined table, and then jumped out of his seat. He hurt his clothes and walked outside.
Caligari suddenly raised his head and looked at the city secretary with an aggressive look. Seeing that the secretary of the city hall had taken his seat, he hurriedly stood up, walked in front of the secretary of the city hall, and said to him: "I want to... request that I be allowed to display my ornaments at the market..." (Subtitle) As he spoke, he tapped the ground with his cane and looked up at the city secretary. The tall city secretary was still looking at Carrigali condescendingly at this time, and asked: "What kind of ornaments?" (Subtitle) Carrigali, holding a top hat in one hand and a cane in the other, has a nice eye. Staring at the secretary of the city government and said: "A dream tourist." (Subtitle) The
secretary of the city government made a gesture backwards, greeted his subordinates to come and deal with it, and then walked out of the office. At this time, a clerk walked up to Carrigali and gestured to him as well, motioning for Carrigali to follow him. At first, Carrigali hesitated, but he still turned around and followed the clerk to the back table.
The market square, outside view,
is a merry-go-round in the daytime view . There is a cheerful atmosphere everywhere in the market, and tourists are bustling with it. The close shot is an artist playing a hand-operated organ. He vigorously shakes the crank on the piano. A female tourist teases a naughty cruel sitting on the hand-operated organ; Stopped in front of the hand-operated organ, the man put a coin on the organ, and then left with a smile with his wife... After a while, some adults and children passed by, they walked down the steps towards The performance canopy walked. At this time, Caligari also came to the square. He stopped, looked around with satisfaction, then turned and looked towards the performance area. A little dwarf with a top hat on his head came to the front of the hand-operated organ. He tossed a coin high and angered the monkey sitting on the organ. It made a "squeak" and "squeak" sound, yes. The little dwarf "screamed". The sound attracted Caligari, and he turned around and glanced at the "drama" curiously, and then swayed towards the steps.
Caligari’s tent, exterior, daytime
On both sides of a road, two rows of tents were built, all of which were inclined and curved. The tourists walked busily on the narrow passage in the middle, watching the left and right curiously. After a while, another group of tourists came over. At the forefront was a little dwarf with a big sign hanging around his neck. He was clearing the way for a man behind him who played the hand-operated organ. Many children and adults trailed behind them, mixing the path in the middle of the tent and walking forward.
There is a large tent on the right side of the close view that is very eye-catching. A low platform is built in front of the tent, and there are two steps in front of the platform to lead people upwards.
Caligari walked out of the big tent. He held a rattle in his right hand and a wooden bracket in his left hand, with a rolled-up portrait tied to the top of the bracket. He looked around, seeing the enthusiastic visitors, he pushed his glasses to his forehead and began to vigorously shook the handbell.
Gradually, many people gathered in front of the tent. Seeing that the audience was almost there, Caligari put his rattle on the ground, suddenly unfolded the portrait hanging on the stand, and then waved his cane in the air to attract the audience's attention to the mysterious picture. portrait. The portrait depicts a man with a big head, broad shoulders, thin buttocks and a pair of thin legs. His whole body gives a skinny impression.
"Please come in and take a look, take a look! Here is the first time under the world to show you the Dreamer Caesar..." (Subtitle) Caligari holds a cane, sings and points to the portrait, constantly Attract the audience.
On that night, for the first time a series of mysterious and unpredictable crimes occurred in the small town.
The city secretary’s bedroom, interior view, there
is a bed on the left side of the room during the day . Two men in police uniforms and one in plain clothes were leaning over on the bed and watching. After a while, the three slowly straightened up. Behind them is a cone-shaped window with an upper and a lower tip, through which some weird "light and shadow" shine into the house.
"Murder! A sharp weapon pierced the chest and caused the mysterious death of the city secretary." (Subtitles)
The three of them turned back, walked to the window, and carefully checked their appearance. Two pieces of glass were broken on the window. The man in a black suit and a top hat looked at the window for a moment, then turned to the two policemen accompanying him. A policeman made a short gesture to indicate that he could not explain the cause of the murder.
The market square, outside scene, the
man who played the hand-operated organ during the day was still there shaking the crank, and the monkey was still sitting on the organ, attracting passing visitors with the sound of music. Alan and Francis came talking and laughing. They looked around and saw the lively market in the distant view, and they walked down the steps. At this moment, a few girls just came up from the steps, they gathered in front of the hand-operated organ, and teased the little monkey.
Caligari’s tent, outside scene.
Caligari is still standing in front of the tent during the day , ringing bells with both hands alternately. Beside him, leaning on the tent, there was a portrait of the unfolded dreamer Caesar. Caligari put the bell on the ground again, and then held the wooden support with the portrait in one hand, waved the cane in the other hand, pointed at Caesar on the portrait, and kept yelling at the gathering crowd: "Please come in and take a look, take a look! This is the first time under the world to show you the dreamer Caesar! Caesar is a strange man... He is 23 years old this year, and he has been sleeping day and night for 23 years. ...Today, he will be resurrected from a dead state in front of you...Please come in and take a look, take a look..." (Subtitle)
Caligali yelled, and set the portrait back against the tent. OK, then turned around and pulled up the curtain of the tent, turned to the visitors, and made a gesture of inviting you to enter. At this time, some people walked out of the crowd and bravely entered the tent. In order to encourage more visitors to enter the tent, Caligari took off his top hat, buttoned it on his chest, leaned over and bowed to the visitors, while keeping his other hand open. The curtain...
Alan and Francis were also caught in the crowd at this time. Alan turned to Francis and asked if Francis would like to go into the tent with him. Francis seemed a little hesitant.
Caligari's tent, interior view, daytime
There is a small stage with a curtain in the tent, and the incoming audience flocks to the stage, sitting or standing. After a while, the curtain opened a small slit, and Carrigali walked out of it. He rang the handbell, put it on the ground, took off his top hat, bowed deeply to the audience, paid tribute, and put it on again. Then he raised the curtain to show people a wooden box the size of a coffin standing upright on the stage. Caligali walked to a small table next to him, turned to face the audience, and announced that his show had officially started.
Caligali walked up to the wooden box, first removed a small wooden stick from the top, used it to beat the box a few times, and then opened the two covers on the left and right of the wooden box. Stand to the side so that the audience can see Caesar standing inside the wooden box. I saw that Caesar was pale, his eyes closed, his arms drooping close to his crotch, and he was wearing a tight-fitting black dress, standing straight and motionless in the wooden box.
Caligari was standing next to the coffin-shaped wooden box that had been opened. Compared with Caesar, who was standing still inside, he almost bowed his head. At this moment, I saw Caligali holding the wooden stick in one hand, approaching Caesar, and calling out a short and powerful call to him: "Caesar!!...Hey, Caesar, did you hear?! Caesar, I'm calling you... I’m Dr. Caligari...your master...hey, wake up from the dark night!” (Subtitle)
Caesar’s head is short, thick hair; his face is as pale as There is no blood on the paper; in contrast, his wide black eyebrows and the black sockets of his closed eyes are very vivid and prominent. His mouth is narrow, and it is also tightly closed; his The neck was covered by a horizontal turtleneck sweater... Gradually, Caesar's eyebrows moved slightly, his nose also moved slightly, and then the corners of his mouth began to twitch... His face finally began to have life. After a while, Caesar's mouth and eyes opened slowly, but they closed again soon. After repeated this several times, his eyes finally opened, and he stared forward blankly.
Caesar slowly raised his arm and began to walk out of the wooden crate in slow, tentative steps. Caligari stood by and watched Caesar's every move. He waved a small stick and motioned to Caesar to lower his arm. Caesar obeyed Caligari's instructions. Then Caligali walked to the position of the proscenium, placed his cane across Caesar's body, and ordered him to stop.
Francis and Alan also stood in the tent, looking at the direction of the stage with fascination. The two of them talked about something from time to time, but their eyes never left the stage. There are many other surprised audiences behind them.
Caligari took off his top hat again at this time, bowed deeply to the audience, then shook his hat left and right, stood beside Caesar, and said to the audience: "Respect Everyone! Caesar, the dream tourist, will answer your questions. Caesar knows all the mysteries... He knows the past and can foresee the future... If you don’t believe it, please try it yourself. Please come forward and ask him questions... …" (Subtitles) After finishing, he looked at the audience below with inquiring eyes.
At this moment, Alan grabbed Francis's hand and excitedly said something to his friend, but his eyes were always staring at the front stage like a magic. Francis looked at Alan, he wanted to hold him, but Alan finally broke free of Francis and squeezed to the front of the stage. Francis followed closely, trying to prevent him from stepping onto the stage. Just as Alan had already stepped up the steps leading to the stage, I saw Caligali approaching and blocked Alan with his cane, indicating that he should stop there. Francis held onto Alan's coat tightly at this time.
Wearing a light-colored hat, Alan's eyes widened at this time, and he looked at Caesar in front of him with a questioning look and asked: "Tell me, how long can I live?" (Subtitle)
Caesar turned around and looked at the stands. Alan came down, then moved his sluggish gaze to the front, moved his lips slowly, and said, "Living till the morning of tomorrow..." (Subtitle)
Alan couldn't help being shocked when he heard this, his breathing Suddenly it became rush and difficult. However, after a while, his face reappeared with a smile.
Francis, who had been expressionless, suddenly appeared horrified when he heard Caesar's terrible prediction. He yanked Alan off the steps, then squeezed him, turned and walked out of the tent. Behind them, some audience members rushed to the front of the stage.
The small square in front of Francis's house, exterior, night
This is a small street square with two huge white star patterns painted on the ground. Several alleys stretched out from here, and there were rows of houses on both sides of the alleys. The close view is a house wall facing the street with large and small, slanted windows and many strange and weird patterns painted on it, and a gas lamp is hung on it. From an alley in the distant view, a lame man came, wearing a long coat that almost mopped the floor and a torn hat, limping across the square, lighting a gas lamp with a long pole, Then leave slowly. Under the dim and dim light, you can see a bounty notice on the wall. The eye-catching headline on the top reads: Murder in Holsteinwall! A reward of 1000 marks is offered to capture the murderer! The text below it is too small to read clearly. After a while, Francis and Alan came from the distant view. When they passed the gas lamp, they found the notice and read it carefully. Alan pointed at the text on it, and as he read it, he grabbed Francis’s arm in a panic...
At this moment, Francis saw that Miss Yana was coming from a distance, so he greeted her and took off her hat. She greets. Francis and Yana met in the center of the square, and the two shook hands and exchanged greetings. After reading the notice, Alan turned and saw Yana. He hesitated for a while, and then quickly walked towards Yana and reached out his hand to greet her. So, the three of them-Alan on the left, Francis on the right, and Miss Yana among them, happily and slowly walked out of the square while talking.
Carrigali’s mobile hut, exterior scene, Ye
Carrigali slightly opened the door of his slanted mobile hut by a narrow slit, poked his head out and looked out, and then opened the door. Walking down a small ladder in front of the house. He first turned to the left, and looked towards the small open space between his hut and the fence made of slats, then turned to the right, and took a look at the small space between the hut and the tent. Space. When he checked and confirmed that everything was fine, he walked back to the door of the activity hut. When he got here, he looked around again, and then safely climbed the ladder and walked into the door.
The small square in front of Francis’s house, exterior scene,
on the way home at night (subtitles)
Alan and Francis walked side by side, and they stopped by a roof wall near the square. Alan seemed to be still immersed in the waves of emotion at this time, and he looked up into the air with illusion. Francis turned to Alan, looked at him and said: "Alan, we both fall in love with her..." (Subtitle) Alan nodded lovingly when he heard this. Francis smiled and held his hand, and continued to say to him: "We'd better let her make a free choice among the two of us... No matter who she chooses, we are still friends." (Subtitles) Alan's expression After listening to Francis nervously, as if to relax his nerves, he approached Francis and held his hand.
After Francis shook hands with Alan and said goodbye, he walked to his house. Alan also turned around and went home.
Alan's room, interior, night
night (subtitles).
In a dimly lit room, the walls all slanted upward. In a corner of the room was a bed, Alan was lying on it sleeping, and beside his head was a high-backed chair. Suddenly, a growing figure appeared on the wall. Alan woke up suddenly, sat up in horror, and stared at the front in amazement. Even breathing became rapid and difficult. He subconsciously stretched out his hands to make a defensive posture.
At this time, the black shadow grew bigger and bigger, almost covering the entire wall. It was holding a long dagger with the tip of the knife facing down, and was approaching Alan step by step.
Alan shrank on the bed in horror, his hands trembling convulsively in front of his face.
Alan and the people who broke in became huge shadows on the wall. Alan still used both hands to resist the man with a sharp blade standing in front of him meaninglessly. Although he struggled hard, he couldn't get rid of it. At this moment, the man grabbed Alan's arm, then took the knife down and stabbed it down.
The small square in front of Francis's house, outside scene. At night
, an old woman walked quickly from an alley in the distant view. She was wearing a black apron tightly in front of her as she walked. The old woman hurried across the square and almost collided with two oncoming men. After she passed, the two pedestrians stopped, turned around in a little surprise, looked at her hurrying away, and then left and disappeared behind a house. The old woman walked up to the steps in front of Francis's house, hesitated a little, and rushed up.
Francis's room, interior view.
Francis was standing in the middle of the house during the day , putting his suit jacket and bow tie neatly on, and was about to go out. He heard footsteps and turned around. At this time, the old woman rushed into the door and walked to Francis in three steps and two steps. Seeing her suddenly and approaching, Francis hurriedly put his hand on his chest in a defensive posture, and stepped back involuntarily, not knowing what happened. Until then, the old woman panted and reported: "Mr. Francis...Mr. Francis...Mr. Alan is dead...He was killed!" (Subtitles are overprinted on crosses of different tones and overlapping)
After telling the story of Alan's murder, the old woman took out a handkerchief from under her apron, covered her face and wept. After listening to the old woman's account, Francis couldn't help but tremble with his arm resting on his chest. He kinked his hands in pain for a while, and then slowly loosened them. Finally, he turned to the old woman, stretched out his arm and pointed out the direction of the window, so the two ran towards the door together.
Alan’s room, the interior view, the
back view during the day is a broken window, and a chair with high backrests is placed on the left and right sides of the window; Alan’s bed is placed on the right corner of the room, half of the sheets are pulled up On the ground; there was a pillow scattered on the ground, and there was a messy scene in the room. Francis and the old woman rushed into the room. The old woman stood in the middle of the house, still hiding her face and crying. Francis rushed to Alan's bed and stood there, staring blankly at the tragic situation of his friend's murder, and the top hat in his hand fell to the ground... Then he put a hand on the bed and turned his head around, restlessly Searching back and forth with his eyes. Suddenly, he stared at the front with his eyes widened, as if muttering to himself with sentiment: "Is it really in response to the prophecy of the dream tourist...?!" (Subtitle)
Francis put a hand on his forehead, Thinking.
Police station, exterior scene, in the daytime,
under the grip of two high walls, a wide step, like a thick curved line, leads to the police station. The scene is like the entrance of a tunnel. There are many weird patterns painted on the walls on both sides. Francis held his hat in one hand and flew up the steps leading to the police station, the hem of the tuxedo floating behind him.
Police station, interior view, daytime
There was a high table on a low platform, and two policemen sat on either side. They were sitting high on two swivel chairs, bent back like two prawns, and leaned over the table to do copy work. There was a high partition in the middle of the table to divide the two people. Separate; these two policemen both wear round caps, fasten straps from the cap to the chin, and wear long coats with wide waist belts. Above each of them, a pyramid-shaped lamp hangs. Lamp; some other "light" penetrated through a window behind the table, and many pieces of paper were scattered on the ground where the perspective was distorted... Francis ran into the room, exhausted, standing in front of the table panting. , Holding the partition in the middle with his hand. Upon seeing this, the two police officers stopped their work and straightened up. Among them, the one on the left got off his seat and walked towards Francis, and then the policeman on the right got off his seat and stood on the other side of Francis. Francis grabbed the arm of a policeman standing beside him and eagerly told him the whole story.
The two policemen looked at Francis standing between them. I saw him gesticulating with his hand on his neck, making a pinch motion, then clenched his hand into a fist shape, and slammed it down, as if he was holding a knife in his hand. When the two policemen heard this, they looked at each other with incomprehension behind Francis.
"I want to thoroughly understand the series of terrible events that have happened around us. If we don't achieve the goal, we will never stop!" (Subtitles) Francis still raised his hands and spoke with wide-eyed eyes.
A policeman left, and after a while, he brought a man in a top hat and a black shirt, and they all stood beside Francis. Francis dragged his tired steps forward a few steps, and when he raised his arm again, he immediately dropped slowly and feebly. The policemen gathered behind him to discuss something.
Police station, location, during the day,
Francis slowly walked down the steps and stopped. He combed his hair with his hands, and then left with a heavy heart.
Alphan's garden, exterior view, daytime
A high wall extends from a gate below the upper circle to the Olfen’s building. On the high wall, there are many black "light and shadows" like rising clouds; on the road that extends parallel to the high wall, Surrounding two round stools and a small table, there are also many circle-shaped "lights and shadows" drawn; in the close vicinity are the branches and leaves of some bushes and trees. Yana was standing on the steps in front of the building at this time, looking in the direction of the door. Seeing Francis enter the door, she walked forward to meet him. Francis took off his hat from his head in exhaustion, with a look of grief and despair. Yana walked towards the round stool with him and came to the small table. Francis leaned on the table exhausted and never wanted to move. Yana grabbed his hand with concern and tilted her head to look at Francis.
Francis began to tell Yana what happened, and Yana listened like a demon. Suddenly, she pushed Francis away and stared forward. Francis sat down on the round stool. After a while, Yana slowly turned towards Francis, as if asking him something. Francis raised his head, looked at the girl, said a few words to her, and clenched his hands into fists. At this time, Yana grabbed her hair with both hands in fear again, her breathing became rapid and difficult, and then she stared at the front blankly. Francis, who was choking on the round stool, jumped up suddenly, said something to Yana, and then turned away. Yana followed.
The living room of the Olfin's house, interior view, daytime
In the foreground of the living room, white window screens are hung above and on both sides, which look like a theater curtain; in the middle of the living room is a small table with a vase on which is inserted a few small flowers; three circle hands The chairs are around the table, and a moon-shaped lamp hangs above the table; some circular dark cloud-like patterns are painted on the wall in the background. Yana and Francis walked in, they stopped in front of the middle armchair and stood relatively. The girl stretched out her arm, motioned Francis to sit down, and then went out. Francis turned and walked to the small table. Just about to take a seat, Yana's father walked in and came to Francis. Yana's father put one hand on the table and half-raised the other, saying something to Francis. Francis held his hat in his hand and answered his question. At this time, Francis raised his right hand, clenched it into a fist, and made a forceful stab action. Then, both of them were silent for a moment. Francis said a few more words. Yana's father shook his head in confusion, turned around and held Francis's hand, and said: "I want to ask the police station for authorization to check that dream tourist..." (Subtitle) Francis Nodding in agreement.
Yabongpasha's father stretched out his hand and pointed out the direction. Francis turned and walked out, followed by Yana's father.
The alley leading to the small square in front of Francis's house. Exterior view. The night
alley is clamped by high walls on both sides of the alley. There is a slanted window on the right wall; a dim light hangs above the alley. The gas lamp, its light can only illuminate the close and middle shots of the alley. Suddenly, a black figure jumped out from the dark depths of the alley, pressed against the wall on the right, and walked over tentatively step by step. The man wore a hat, a black shirt, a pair of light pants, and a pair of half-high-waisted boots and shoes. He walked and looked around. He came under the window, stood with his back against the wall for a moment, and then walked cautiously to the other side of the alley. He stood behind a wall, looked around again, and then quickly disappeared into the door of a building.
For a moment, a woman's head stretched out from that window, and she was shaking her arms vigorously while shouting loudly: "Kill...Help!...Here is a murderer!" (Subtitle)
After a while, a black figure holding a knife ran out from the doorway, and ran quickly to the back of the alley. But the dark shadow immediately turned back and ran back. It turned out that there was a man with a top hat chasing him behind him. Afterwards, the robber who entered the house ran towards the corner of the alley again. At this moment, some people came running from the opposite side, all coming to chase the fugitive.
The small square in front of Francis's house, exterior scene, the night
hunter finally caught up with the fugitive in front of Francis's house, surrounded him and captured him. The guy was unwilling to bow his head in submission, still struggling. A chaser forcefully snatched the knife in his hand, then held the robber with the others and took him away.
Carrigali’s mobile cabin, interior view, Ye
Carrigali wearing a top hat and a black cloak, sitting on a small stool, stirring something in a metal basin with his hands. There was an empty wooden shelf near the wall, a small window near the door, and a small lamp hanging from the roof. Apart from that, the room was almost empty. After a while, Caligari stood up and walked to a rectangular wooden box next to him. He put the metal basin on the small stool, and then uncovered the two covers on the wooden box one by one. Caesar was lying on the wooden box, his face facing the window, his eyes closed tightly. Caligari stood behind the wooden box like a coffin, supported Caesar's stiff upper body with two hands, then turned around and took the metal basin placed on the small stool, stirred in it a few more times, and started feeding Caesar. .
Carrigali’s activity hut, exterior view, Ye
Francis and Yana’s father, Olfin, wearing a hat and a large cloak, came to the front of the activity hut. Francis peeked into the room through the small window next to the door, then knocked on the door.
Carrigali’s mobile hut, interior view.
Hearing the sound of knocking at night , Carrigali turned his head to the door of the mobile hut. After that, he stood up, put the metal basin on the small stool behind him, leaned down again, put Caesar in the wooden box, and hurriedly closed the lid before walking towards the door. When he reached the door, he held the doorknob with one hand and the other hand against the door. He looked back and scanned the room again before turning to the door again.
Carrigali’s mobile cabin, exterior, night
Francis hesitated, then knocked on the door again. The door opened, and Carrigali looked at Francis, then at Orphan, and then jumped off the small ladder set in front of the mobile cabin. He closed the door casually, with one hand still tightly clasped on the doorknob, but his eyes patrolled Francis and Orphan.
Yana's father took a note from his pocket and handed it to Carrigali. With his hands clenched into a fist, Carrigali looked at the note arrogantly, hesitated for a moment before leaving the door, turning around slowly, and beckoning the two of them to come in. Yana's father suddenly opened the door and stepped onto the activity hut. Francis followed closely, and Carrigali was at the back.
Police station, location, night
chaser pushed the captured robber up the steps in front of the police station, and then a group of people escorted him and disappeared into the dark place above.
Police station, interior view. At night,
two policemen are sitting on both sides of a table, and the third policeman is sitting behind the table. They are all immersed in their work. Suddenly, they all raised their heads. It turned out that the group of people walked in with the robber. All three police officers got up and walked towards them. The group of escorts pointed at the robber who was standing among them with his head down, and reported the whole story to the police with passion.
A pursuer handed a knife to the policeman opposite him. The policeman took the knife in his hand and turned it over and checked it, then shook his head to the other two policemen and motioned to take the robber away. The two policemen grabbed the thief by the collar and arms from behind, and escorted him out of the room. At this time, everyone present made way for them, and after they left, they all gathered again and continued to talk excitedly. After a while, those pursuers left. The chief of police, who had been looking at the knife in his hand, also turned and walked back.
Caligari's mobile cabin, interior view, Ye
Francis stood behind the wooden box, watching how Orphan next to him leaned over and touched the half-lying Caesar. Caligari stood against the wall on one side, staring at Orphan indifferently, watching how he fiddled with Caesar.
Orphan straightened up, then turned to Caligari, pointed Caesar with his finger and said, "Please wake him up!!" (Subtitle) Caligari turned his head to the side, ignored it, and turned back after a while, shaking Shaking his head, his lips moved, and he said "No!"
At this moment, Francis suddenly ran towards the window. He leaned on the window and glanced outside, then ran to the door quickly, and Olphine leaned down towards Caesar again.
Caligari's mobile cabin, interior view, Ye
Francis ran out of the house, the door slammed shut behind him. A messenger handed him a leaflet, and he immediately read it. At this time, Orphan also walked out of the house, Francis handed him the flyer.
Uppercase letters with a square-shaped leaflets that read:
No. outside
Hall Sternberg Val Mystery revealed!
The murderer who committed the crime twice was caught in the third murder!
As Francis and Orphan were reading the flyers together, Carrigali appeared in the door behind them. The two of them looked back and saw that Caligari took off his hat and was bowing respectfully at both of them. Francis and Orphan finished reading the flyer and left in a hurry. Seeing them gone, Carrigali stepped down the small ladder, shook his top hat in his hand, bowed deeply in the direction they were leaving, then straightened up, with a sinister and sly smile on his face. He put on his hat again, turned around, and walked up the small ladder. After he opened the door, he stood at the door of the house again and looked around.
The living room of the Olfin’s house, the interior view, Ye
Yana is anxious about her father’s long absence... (Subtitle)
Yana sits in the armchair next to the small table, holding a book in her hand, her head But he turned to the side with an anxious look on his face. After a while, he started reading again, but after reading a few lines, she closed the book and threw it on the table, then stood up and ran out.
Police station, interior view, night
The robber stands on the left side in the close view. Behind him are two policemen wearing round caps. On the right side is Orphan. He is sitting in a chair with a high back. Francis is standing behind him, the chief of police. Standing behind Francis, he looked at the menacing captured robber like these two men.
The eyes of all the people present were now on the robber.
The robber began to stammer: "I have nothing to do with the previous two murders...I'm telling the truth..." The robber said nervously and swallowed.
Alphan and Francis rebuked the robber.
The robber stammered and continued: "That old lady...Yes, I wanted to kill her...I stabbed her to death with a dagger...in order to transfer the suspicion of murder to the mysterious murderer... …" (Subtitles)
All the people present listened to the robber's statement with bated breath.
However, Francis slapped his head with his hands in disappointment.
The market square, exterior scene, Ye
Yana wearing a headscarf, walking as if looking for something. She walked across the square, stopped, looked to the right, and walked towards the steps leading to the bazaar.
Kaligali’s tent, location,
Yeyana walks along a path leading to the Kaligali tent. On the left side of the road are small houses whose gables are arched outward; on the right side is the tent of Kaligali. Yana walked to the small platform in front of the tent and stopped, looked at the unfolded statue of Caesar hanging at the door of the tent, and then stepped up to the first step in front of the tent.
Caligari appeared at the door of the tent at this time, and the curtain above his head converged upward into a sharp angle. Wearing a top hat, he first looked to the right, then to the left to look in the direction of Yana.
Yana was startled when she saw Kaligali who suddenly appeared at the door of the tent. But at this moment Kaligali walked to the small platform and bowed forward to salute Yana. Yana had no choice but to bow slightly when she saw this, and then asked: "Is my father here? Orphan, the medical consultant..." (Subtitle)
Caligari shook her head with a smirk.
Kaligali then faced Yana, raised his hands, pointed in the direction of the tent door, and motioned for the girl to come in and take a look. Yana glanced inside curiously, but he didn't move forward. At this moment, I saw Caligali take off his hat and bowed deeply in front of the girl. Then he took the crutches in one hand and held his top hat with the other. He pointed to the door and straightened up and walked there. go. After two steps, he turned around again to see if the girl was following him. He didn't disappear in the tent until he saw Yana step onto the small platform, but immediately he stretched out a hand from the inside and greeted the girl to enter. Yana bowed, and then walked into the tent.
Karigali’s tent, interior view, Ye
Karigali walks and greets Yana to come closer. When he stepped on the stairs leading to the stage, his eyes were always fixed on Yana who hesitantly followed behind him. Carriga used his cane to point to the erected wooden box, took a step forward, and then stood beside the wooden box, watching Yana curiously watching everything that happened in front of her. Then Caligari stretched out his index finger, opened the right side cover of the wooden box, and then opened the left side cover, only to see Caesar standing upright with his eyes closed. Caligari walked to the cover on the left and looked at Yana who looked at Caesar magically with an air of appreciation.
Caligari didn't know what to say to Yana, and then gave Caesar an instruction to raise the cane grip to shoulder height. Yana still looked ahead expectantly, and took a step forward carefully. When Caesar slowly opened her eyes and turned her gaze to Yana, she stepped aside in horror. Fear and curiosity made her eyes wide open at this time, but it was difficult to remove them. Then, suddenly as if regaining her senses, she put her arm on her forehead, arched and ran out. Both Caligari and Caesar stared at Yana's fleeing figure in panic.
In front of the cemetery, location, and
after the funeral during the day (subtitles).
The distant view is the gate of the cemetery. Its two iron fence gates only open a small slit; above the arch of the gate is a cross. Two crosses are also erected on the fence extending from the gate to the left and right sides, from behind the fence. Stretch out some bare branches. Yana opened the door from the inside and walked out of the door. Her father and Francis followed behind her. Out of the gate, the three of them walked side by side, Yana in the middle, and Orphan and Francis walked on both sides.
Market Square, location, night
night (subtitles).
Francis walked quickly to the place where he descended the steps, held on to the railing, and hurried down. When he got down, he paused briefly, looked around, and then disappeared behind a tent.
Caligari's tent, exterior, night view
, Francis tiptoed out from behind a tent, and then quickly ran to the back of a neighboring tent. His face was facing forward, his eyes fixed in the direction of Kaligali's tent, and then he ran towards the small platform in front of the tent with his waist up. He settled down by the small steps in front of the tent, and then crawled to the door of the tent. He carefully opened the tent open a slit, put his head in, but immediately retracted. He looked to the left, then straightened up, stepped down two steps, and looked back.
Caligari's activity hut, exterior scene,
Francis still cats waist at night , and tiptoes to the activity hut behind the tent. Then, he straightened his body slightly and peeked through an irregularly shaped window in the mobile cabin.
In the room, Caligari put his head and hands on his cane, sitting dozing off. He still wears the same clothes as usual. Caesar also closed his eyes tightly, lying in the open coffin-shaped wooden box beside Carrigali.
Francis looked in through the window.
Yana’s bedroom, interior view, Ye
Yana’s bed is covered with snow-white sheets, and a stick is hanging high; behind it is a large dressing room with two long, narrow windows in the foreground. , The horizontal and vertical window edges above divide the glass into neat and uniform square grids. Many strange patterns are painted on the wall next to the windows. Through the windows, you can see the slanted roofs of the neighboring houses outside. Yana put one hand under her head and the other hand on her chest, falling asleep peacefully.
The garden of the Olfen's house, the exterior scene, Ye
Caesar's body is close to the wall, his left arm is raised unnaturally, and he sneaks lightly toward the small steps into the Olfen's house. When he reached the gate, he stepped up the steps with his left foot, then followed up with his other foot, and walked into the house door.
Yana's bedroom, interior view, night
Caesar appeared behind the window on the left. Yana is still asleep.
Caesar straightened up little by little behind the window, holding a knife in his right hand.
Caesar stood up behind the window. At this moment, he threw aside the cross-shaped window ridge he was holding from the window in his left hand, then stepped over the window sill and entered the room. Caesar was still wearing the tights. He took a light step, walked past the chair in the middle of the house, ran straight to Yana's bed, and then slowly raised the right hand holding the sharp knife upward...
When Caesar raised the knife to the height of his head and was about to stab it, he suddenly stunned, stopped moving, and stunned dumbly. Then, he closed his eyes, shook his upper body slightly, and released the hand holding the knife.
At this moment, Caesar's hand that originally held the knife slowly dropped. He opened his eyes again, and his lips opened slightly.
Caesar's other arm extended towards the girl's head also slowly fell. Afterwards, he bent down his upper body, approached Yana's face with his hand, and touched it... Yana suddenly woke up from her sleep.
A terrible expression appeared on Caesar's face. He grabbed the young girl's arm hard, and put his hand against her chin. The girl closed her eyes in pain, but she tried her best to resist. Caesar stood by the bed and was fighting with the girl. Yana tried to grab Caesar’s head with her hands, but Caesar grabbed her arm and twisted it back, and then he got stuck with the other arm. Yana's neck...
Caesar finally pulled the girl out of the bed. Yana was still beating around with her hands desperately... the
servant's bedroom, the interior view, at night,
two servants, one old and one young, were awakened from their sleep almost at the same time. The two of them sat up, looked at them in relative confusion, then both got into the bed and fell asleep.
Yana's bedroom, interior view, Ye
Caesar dragged Yana out of bed, and then dragged her toward the window.
The servant's bedroom, interior view.
At this time of the night , the two servants stood opposite each other, took each other's arms, pointed in the dark direction behind them, and then ran over.
Yana's bedroom, interior view, night
The servants rushed into the bedroom and stopped for a while, and then the young servant was in front and the old one was behind, and hurried to Yana's bed. When they found that the bed was empty, they were stunned. At this moment, a maid also ran into the room. The young servant showed her the empty bed with her fingers outstretched. The servant was so scared that she hid behind the young servant and grabbed his clothes tightly. After a while, Yana's father Olfen also rushed into the bedroom and ran to Yana's bed. He saw that Yana was missing on the bed, and felt that something was wrong. He put his hands in front of his face in grief, leaned back and straightened himself, and then suddenly fell forward on Yana's empty bed. The young servant pointed to the window to the back at this moment, and then ran over. The servant girl and the old servant followed behind him.
The young servant was standing by the window at the moment, pointing up excitedly.
The three servants were all standing by the windows in the distant view. Alphan also got up from the bed and ran towards the window.
On the roof, the exterior view. At night,
from Yana’s bedroom, you can see the tapered roof extending forward from the window; the tubular chimneys standing on the two sloping roofs extend towards the night sky; a narrow roof ridge facing to the left The building stretched over, folded into a right angle in front, and rushed towards the sky. Caesar stepped onto the roof with Yana who had lost consciousness under his left arm. At first he ran to the left along the ridge of the roof, and when he reached the corner, he turned to the right and reached the apex again. He stopped, looked back, and then turned to the left and walked down.
Caligari’s mobile hut, exterior scene, Ye
Caligari was still sitting next to the open wooden box in which Caesar was lying and dozing off.
Francis was still peeping through the window into the Kaligali Activity Hut.
Orphan’s garden, exterior scene, Ye
Caesar held the unconscious Yana under his left arm, walked out of the open door, walked slowly down the steps, and then walked forward along the wall until he disappeared. Vision. After a while, the young servant also ran out of the house. Behind him was the elderly servant. They chased along the wall in the direction where Caesar had escaped.
By the bridge, exterior, night
A narrow road clamped by half-height walls on both sides extends to a small bridge, and then passes through the bridge to continue to the left and front. Railings and gas lamps are installed on both sides of the bridge. A light in the close range cast a star-shaped "halo" on the road. There are a few bare bushes growing along the roadside. Caesar held Yana under his arm and walked onto the bridge. He stopped, looked back, and continued walking. Halfway through, he stopped again, looked back, and walked quickly. When he stopped panting for the third time, his legs softened, knelt on the ground, and exhausted Yana to the ground. At this time, someone chasing him appeared in the distant view: Yana's father Olfin ran in the front, and he urged the two servants following him to run and chase him as he ran. Caesar glanced back in horror, and ran away immediately. Olfen rushed to Yana's side and helped Yana up with the help of the young servant. At this time, another group of pursuers came. They ran past Yana, who was still unconscious, and continued to pursue Caesar. Yana was carried back from the bridge by his father and two servants.
In the field, outside scene,
a small road turns to the left at night , and a slanting tree stands on the right side of the near scene and the left side of the distant scene . Caesar stretched his arms forward, dragging heavy steps, and was running hard along the path. When he ran to the middle of the picture, he stopped and staggered and turned around. He finally fell to the ground and rolled towards a small ditch by the side of the road.
Caligari's mobile cabin, exterior view, Ye
Francis thoughtfully turned his head from the window to the front. Then he catted his waist, tiptoedly left the activity hut, and walked forward along the tent.
The interior of the living room of Olfin's house. During the day,
Yana was still sitting in a comatose armchair, her arms hanging weakly. Her father, a medical consultant, stood behind the armchair and put a hand on Yana's forehead. At this moment, Francis ran into the room with his hat in his hand. He knelt down in front of the armchair, grabbed Yana's arm, raised his head, and looked at Yana's face.
Yana's father exchanged glances with Francis, then leaned over Yana, hugged Yana's upper body with his hands, and helped her to sit up straight. Yana slowly opened her absent eyes at this time. When she moved her head listlessly to Francis who was kneeling in front of her, suddenly, her eyes widened. Opened her mouth,
she yelled "Kay...Caesar!" (Subtitle) Yana suddenly yelled out the name of "Caesar" clearly. When Francis heard it, he said something to her, and shook his head. At this time, Yana emphatically repeated the name of "Caesar" again. Both Francis and Yana's father stood up, and they both looked at each other with questioning eyes. Francis grabbed Yana's father's hand and pulled him closer.
"This can't be Caesar's doing it!... I have been there for hours of observation, and he has been sleeping..." (Subtitles)
Francis raised his right hand in confusion as he said. However, at this moment Yana raised her fist, said firmly, "It's him!", and punched her fist down. Alphan looked at Francis blankly; his daughter also looked up at him. At this moment, Francis suddenly turned around and ran out of the room. Both Orphan and Yana watched him leave. Then Olphine cast his eyes on his daughter again and put his hands on her shoulders.
Police station, interior view,
two policemen sitting opposite each other on both sides of the table during the day , both burying their heads in writing. When Francis rushed into the room with his hat in his hand, they all raised their heads. Francis walked to the table, and the policeman sitting on the left got up from the stool and stood beside Francis; the policeman sitting on the right stretched one leg and sat and listened to Francis' report. Francis narrated emotionally, and at the same time pointed a finger to his eyes. At the end of the talk, he made a tired expression that was incomprehensible to what happened, and looked at the policeman standing next to him.
"Is the caught guy still in the cell?" (Subtitle)
The policeman who was asked nodded in agreement. Francis turned to another policeman, who also nodded. So Francis stared at the front again in a daze.
"I want to meet him..." (subtitle)
The two policemen nodded to each other behind him in agreement. So the three people walked out of the room.
Police station, location, during the day,
Francis was accompanied by two police officers on the left and right, walking down the stairs from the dark place, and they talked as they walked.
Prison, interior, during the day,
Francis followed two policemen into the hallway of the prison from a distant view. The lintel of each cell is marked with a number with large numbers. Francis followed them timidly, watching the scene in the prison carefully as he walked. The two police officers walked to the close view, then turned left and stopped in front of the cell marked No. 5.
The murderer was sitting on the floor of cell 5 with shackles and handcuffs. The shackles were fixed to a large rock by an iron ring. There are many vertical, slender, tall "lights and shadows" scattered on the walls of the cell. The captured guy sat down on the floor in the middle of the cell with his head down.
... Francis nodded at the two policemen, then turned and left.
Caligari’s mobile hut, exterior view,
Caligari looked from the inside out through the window during the day , and he spied on both the left and right sides.
...Kaligali and Caesar are still sleeping in their respective positions.
At this time, Francis came to Carrigali’s cabin again. This time, the chief of police and two policemen came with him.
Caligari and Caesar are still asleep.
Three police officers stood in front of the mobile cabin. Francis walked to the window alone and peeked into the room. The chief of police standing in front of the door of the house arranged one policeman on the left and the other on the right, and then he started knocking on the door.
Caligari opened the door and walked out, then turned and closed the door behind him. Then, he stepped down from the small ladder in front of the mobile hut, holding the cane diagonally in front of his chest with one hand, and making a defensive stance with the other hand, looking at the chief of police with intent. The police chief was also watching Carrigali.
The chief of police stretched out a hand and motioned to Caligali to step aside. Seeing him standing still, the police chief unceremoniously pushed him aside, then opened the door and let the two police officers enter the house and search.
At this moment, Caligali stood in front of the small window, closed his eyes, put one hand flat on his chest, breathing hard, and slowly lowered his head.
The two policemen took the wooden box from the house and put it on the ground near the scene. The police chief also bent over to help them.
Caligari walked to the open door at this time, his eyes rolled steadily, his left arm still in a defensive posture.
The two policemen stood aside and watched as the chief of police opened the two covers on the wooden box.
Francis stood by and watched intently. Caligari, who was in the distant view, turned slowly to the left at this time.
People saw Caesar lying in a wooden box with his eyes closed.
Francis jerked Caesar from the wooden box. At this moment, Kaligali raised his arms to cover himself when people were not paying attention, and quickly slipped away. At this time, Francis was surprised to find that what he was holding in his hand was a puppet the same size as a life, a replica of Caesar. He gently lifted the puppet to a high place for others to see, and then threw the puppet on the wooden box angrily, his face distorted with anger. Francis backed up a few steps and found that Caligali had escaped, so he ran after him.
A field path, location, during the day,
Caligali hurriedly ran along a path leading to a small hill... He climbed up the hill and quickly disappeared behind a forest. Later, Francis also chased after him. After climbing up the hill, he stopped and observed. Next to the
bridge, exterior scene, during the day
Caligali ran off the bridge and continued to run along a path. Francis appeared in the distant view, who was chasing after him. Caligari ran to the close-up, and suddenly disappeared. Francis ran halfway, stopped for a while, and then continued chasing down the path.
In front of the mental hospital, outside scene, during the day,
Carrigali walked quickly along the path outside the high wall of the mental hospital and came to the gate. A sign was nailed to the wall next to the gate, and a lamp was shining on it. Caligari opened the door and disappeared inside. After a while, Francis followed. He stepped back cautiously, looked at the door, and then walked a few steps forward.
Francis stood in front of the sign and saw that it was written in large letters: Mental Hospital. Seeing this, he took a few steps back in surprise, then hesitated, and was in a dilemma. Finally, he walked forward and pushed open the door resolutely.
The courtyard of the psychiatric hospital, the exterior scene,
the building of the psychiatric hospital stands in the distant view during the day . There are three huge arched door openings below the front of the building, passing through the door openings and walking up a wide step to reach the inside; above the door openings, there is a row of small windows below the upper circle. In front of the building is a large hospital. From the center of the courtyard, there are many thick, beam-like white strips, three of which reach exactly three door openings; on the right side of the foreground, there are several large and bulky single sofas. At this time, a medical staff from the mental hospital walked into the hospital with Francis. Francis stood still at the center of the radiant pattern. The medical staff wearing a white short coat quickly walked into the doorway on the right, climbed the wide steps, and disappeared into the building. Francis slowly turned around and looked at the surroundings. After a while, a young doctor followed the medical staff, walked down the steps, over the courtyard, and approached Francis. The par
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