Although Sara in the movie can be said to be a collection of thousands of pets through various scenes, plus the last terminally ill stalk, it is difficult for you to like this heroine in the way of usual love movies, because she is in a The seemingly traditional story goes against tradition in a decisive way. First of all, her quest for freedom can almost be equated with madness and promiscuity. If the nonsense at the beginning is still cute and reckless, then there is no taboo in the relationship between the sexes and changing boyfriends on a monthly basis is enough to make people look up. Such a 'dissolute' woman appeared in the pure love film, which was originally a challenge. Bottom line. What's more, she kept saying that she wanted to save the male protagonist, and he lived an absolutely aggressive mainstream life before he knew her. This rescue stalk is also the most complained about, because it is obvious that Sara's actions are not without selfishness, why is it necessary to use the word 'salvation' that looks like the Virgin White Lotus? However, this is actually the most misunderstood part of Sara in this film. She doesn't really want to save anyone. Even if she does, she saves herself in a very unusual way. It's a big rhetoric; it's her search for the last dignity in her own life and in her relationships with others.
The guy downstairs understands her very well. The so-called one-month change, the so-called rescue, makes her feel that she can still take control and have the initiative to choose, whether it is for life or others. This is what keeps her optimistic and keeps her going. So when Sara talks about saving, she is not selfless, it can even be said to be quite selfish. She has really understood what is the most important thing for her in the short time of current affairs: live for the movemen, live in the moment, Cherish every good time. It's not difficult to say, this sentence is not uncommon in many successful inspirational studies, but how to really understand how to do it, a person who knows that he may only have one month's life, and a lot of time to squander People are obviously different. So the male protagonist leaves her again and again even during this month, including at the end of the film. It is essentially impossible for them to be together, because one has a future and has been living for this future, and the other has no future, only the present.
Although the end of the film already lets you know that Sara is terminally ill and her time is short, it does not let you see the male protagonist by her bedside watching her die and then reminisce and cry, but let her live on the last day of November. Take the initiative to leave, Our month is over. Everything is still as she arranged, no more than one month, and the male protagonist didn't hold back, just stood there blankly, after untying the scarf blindfolded, This person completely disappeared from sight. In this way, in the end, whether she returned to her family before her death, we don't know whether the male protagonist will continue the life of the previous workaholic state. In fact, the film does not want to tell you these endings, this is a story without an ending, just a sweet and sad Sweet November.
However, it would be too extreme to say that Sara concealed her deceit and hurt the male protagonist entirely for the sake of having fun before her death. At the beginning, she may indeed be suspected of actively pursuing and molesting, but undoubtedly gradually she also really fell in love with the male protagonist. If the concealment at the beginning was the rules of the game she made to take control, then the later stage you will become Will find that she starts to have to hide because she doesn't want to hurt. Even when she has nothing to hide, she insists on leaving: she doesn't need the male protagonist to stay by her bedside, as a young girl with a strong personality and love of life, she doesn't want a hospital or endless treatment , she wants every segment to be the best of beauty, and every moment to be the best memory in each other's lives, even if it's only for a short month. From this point of view, you can hardly blame her. In fact, she may not want the male protagonist to accompany her at the end, but she understands that she has no future, and they have no future, so she is willing to press the stop button when it is still good-
November is over, The game is over. She is a strong enough girl, so strong that she can make decisions on life and death by herself, without anyone intervening. She is living in her own way, loving in her own way, whether you accept it or not, this is just a Sweet November, Only Time.
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