The first time I finished it with a wild laugh, especially when the music sounded, the thought in my heart was this: Damn, is this going to dance? Emma, they really jumped up hahaha! And this film does have countless slots, such as nonsense climbing up the waterfall for a girl, and playing and flirting with the girl while taking wedding photos at the waterfall. Since I chose it on the TV set at home at that time, I thought to myself that such a slotted Asanpian must be watched with many netizens. By the way, I can only watch other people's complaints. So I went to station B. After watching it the second time, sure enough, the complaints at station B were frantic. For example, when the male lead picked up Shiva's Linga, "What are you doing with my tintin" floated on the barrage. I couldn't help but laugh.
After the fun is over, to be honest, I really think the music production of this film is very good. The rhythm of the theme song is explosive, and with the male lead flying over the waterfall, it is simply handsome. Some people don't like the singing and dancing of Indian movies. I think it is quite good. Bollywood's singing and dancing features for so many years still maintain their own national characteristics. Although the male protagonist accidentally grew his head from a young boy to an uncle with a low-value appearance, the Indian aesthetic has always been beautiful with a big waist, round, mighty, majestic, and I think it’s not bad, and I accept it. From the aesthetic point of view, you can accept other people’s criteria for casting. After all, in the Wei and Jin Dynasties, China also regarded men as mighty and tall. For example, Cao Cao asked a mighty man to meet others for him. The dance performed by the male protagonist after he put Linga under the waterfall is very beautiful, energetic, and pious. It is a dance dedicated to Shiva, because Shiva is the god of dance. So I went to watch the song and dance for the third time.
The third time I watched it completely with a clip of singing and dancing, I found that the special effects of this film are of course not as good as those of the American bullshit, but I can't really justify the 50-mao special effects. Waterfall climbing or something, although it violates many laws of physics, it is not as beautiful as the scene.
Looking at it, I felt that the religious beliefs shown in this film made me a little bit embarrassed. The queen mother lifted the baby over her head in the river, and the emperors of science all complained, but those two lines are really good, "He wants to live, because his mother is already eager to see through; he wants to live, because he wants to become a king. Ba. Khobari, he wants to live!" From the perspective of God, all the guidance has a destination. When he was a child, Baahubali had to climb the waterfall. For the mask of a girl, he climbed the waterfall. There is the shadow of Shiva here, because that mountain is the sacred mountain. He saw his mother being humiliated, even if he didn't know that it was his mother, he would feel that his blood surged, and his grief and anger would hardly be suppressed. When choosing who was the heir, the queen mother said that “no matter how many killings, you can only be regarded as a warrior, but saving a person is a god”, which is in line with the teachings of Buddhism. The world is changing and the stars are changing, and the gods are smiling.
The original soundtrack of the film was played these days, and the Indian song echoed throughout my mind. Last year, I jumped into the big pit of the Indian series "Maha Bharata" and "The King of Gods". Krishna's little sunflower is really handsome and breaks through the sky. Although he is a big-waisted Asan, he is really handsome. I've been crazy for half a year. I think my aesthetics has been crooked all the way since "Ashoka".
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