The ending of female addicts is very similar to intellectual sex. I have been impotent for ten years. I regained my sexual desire after reading this novel with a good structure, but no, the old man can make do with knowing the king. The Zeno paradox he said is What's the matter? I haven't studied theology. I bet his theology is not very good. I just want to quote the feeling of +1, and I'm right in one sentence. If the heroine is a man, the social bottom line of her so-called challenge is not at all. What the hell is he talking about Zeno's paradox, never studied theology I bet his theology isn't great, just wanted to quote +1
The sex addiction in this film is very similar to the sex addiction imagined by Yangwei, just like the sex addiction in "Shame", the character's sex addiction is not sensory, but serves the author's intracranial orgasm - even if Tongren Nu is a pwp The sex addiction settings are 10,000 times better than this
If the author - here we will call him author rather than director or screenwriter - wants to present human society as hypocrisy, not teller or listener, as he claims to be, he succeeds in Shows his hypocrisy. The movie is divided into two lines of telling-the past. If it serves the psychology, experience, etc. of the protagonist Joe, the past/story can of course be necessary or even fragmented. But no, the story is written for the listener/laughter, and the author can't wait to insert his own high opinion, so that the narrator becomes the listener's laughter, again inserting Lars von Trier's so-called rebellious but no longer new thinking. Story photography is a vassal of the author's fanatical preaching desire. Showing the hypocrisy of human beings is of course possible, but it just needs a good story. Only unbearable pictures + long and tedious papers are like key political papers, which will only show the author's barren thoughts. (Excuse me too much) The story of the female addict seems to be a tool to glue the author's own philosophies: religion, Hitler, feminism, the problem is that he really didn't do it well, and these ideas are no big deal. Again, if he were Tuo, all the problems would be gone, but even a monologue like a novel can only be mastered by a few days into insight, let alone I don't think the author's point of view is anything new. The most typical is the fragment of the climax apparition on the mountain at the age of 12. This plot is entirely in the service of the Orthodox/Catholic transition. The author and the listener wishful thinking equate climax and super-sensory experience. The essence of sex and story is to serve the same versatile intellectual as him. As far as a movie is concerned, in Both performance and story fail. (But I love the documentary footage and the music, and the actor's lines
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