"Female Sex Addict" tells the story of Joey, a woman who has lost her ability to love. While attending an event for a women's organization, Joey stood up and said, "I'm not like you, I like my sex organs." Iraq's absence and desire. Symbols: Make man an animal fundamentally dominated by and subverted by language, determining his form of social relations and, more importantly, his form of sexual selection. Psychoanalysis recognized its primacy early on: on the one hand, the sign has an effect on symptoms in the game of signifiers; on the other hand, as the real birthplace of the Oedipus complex, it has consequences in emotional life; Finally, the principles of the sign are considered to underlie the main forms of imagination (the effects of competition, prestige, aggression, and seduction). Symbolic Absence: In the psychoanalytic sense, Symbolic Absence refers to the absence of a symbol in its place. In general, referring to what is missing or lost (object, lover), not just the missing function most commonly registered in human experience; but this serendipitous encounter with loss means that it has to be integrated into a structure model. From the very beginning, this absence has taken on a truly human meaning by establishing a connection between symbolic signification and absence, leaving an indelible imprint on speech, making desire eternal in an irreparable dimension. Freud said in the preface to "Three Treatises on Sexuality" in 1905: The lack of sex is not a lack of enjoyment of the genitals, but a lack of speech, that is to say, it is not the sexual organs that can achieve enjoyment, and other factors are required. Only words and love can achieve pleasure. Joey wants both, what's the difference between her and the others, what's the difference between her? She is like a boy who often expresses his liking for his genitals. Joey expresses like a boy that she also likes her genitals and is willing to let her genitals continue to bring her pleasure and satisfy her. When he came to this world, the human child was immersed in a language bathtub that existed before him, and had to support this structure, just like the words of the other. This discourse already contains his strengths and expresses the needs and desires of the Other for him. In discourse he occupies the place of the primordial object; but this begins first with a lack, an appeal to the other who can be called for help. Since then, the other's response has split in two registries: on the one hand the possibility of fulfilling a need is given, while on the other hand it has not been able to fill the gap, where there is a gaze that awaits a proof of love. Thus, the signifier of the initial demand does not There is a cessation of this ambiguity, constantly at work, whose influence extends beyond childhood, adjusting its symbolic position in the discourse of the Unconscious Greater. In order to go from the pure real to the symbolic.
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