Self-feeling The heroine feels that she is a very marginal person, and her empathy ability is more or less unstable because of the way she chooses to do things, and she may feel that she is not allowed by the world.
Therefore, those who can make the heroine speak up are the minority who will be scolded, whether it is a pedophile or a racist, the heroine really hates political correctness... thinks that human beings are hypocritical. This has to do with low general empathy (that is, the kind that really believes in these feelings, and is comfortable with them) and disapproves of most of the morality and order in society. (But I never expected this kind of thing to be popularized and publicized in small groups, sorry, my imagination is not enough)
Anyone who can play with the heroine seems to have a bit of this feeling (?), or is struggling to have it. Just low in ingredients.
The benefits of stability and order are the elimination of difference and the creation of stability. And people can "recognize" it. The heroine obviously didn't have much performance on this road at first.
The growth process of the heroine is also quite interesting. She was interested in sex when she was a child, but she linked sex and lust with her partner because of the contrast with many relationships in the world. Then she grew up like this, and grew into a very biased shape. She rejected the relationship between the truth, the good and the beautiful, and rejected love. She called it hypocrisy because she did not embark on the road of feeling love at the very beginning. But she embarked on the road of exploring the sense of blasphemy, exploring sex, exploring the dark side, and was fascinated by it, seeing the emotional fluctuations and darkness of people, they also condemned herself for it, she thought she was sinful, but this game from Wouldn't it be fun to not sin in the first place? Will a little girl be attracted to it?
The funny thing is that her mom's presence is very low in her memoir, her mom doesn't even dare to go to the hospital to see her dad, is her mom a weak, or unresponsive person, her dad feels kind of romantic. ..love or reliance on these paradigms doesn't seem to exist either, which is why she explores other feelings and experiences. not sure.
What is the world to her, she has no strengths, no desires and desires for other things. It is already a set of behavior patterns to indulge in the stimulation of various sex discovered since childhood. It doesn't look like the motivation to do other things, because you can't feel anything, so you will be so flustered when you lose your only sex.
Later, she saw her childhood self in the group sharing. To be honest, when she was a child, she was pure to explore her lust and blasphemy. Those who might empathize on paper and work together towards a normal social model will naturally be invalid. Now, she feels that she is the real herself, and she simply likes to do it. Regardless of society or others. Extremely Beautiful.
Then she went to work as a debt collector, why? (To be honest, I don't understand it clearly, but I don't want to brush it twice, it's too long) This career is suitable for her, she will be calm by any means, and she can carry out destructive behavior.
Yes, she is destructive, not constructive. I suspect she doesn't know how to build.
Later, she met the little girl who was the successor. Empathy came into play, and she felt love, because she felt the same. Sensitive, evil, slightly inferior, imperfect.
Falling in love with her who has feelings, but also unable to act, she seems to be a little more social.
It's a pity that the successor, the little girl, is indeed a person who has no obsession with a paradigmatic love life, and is also a person who can find happiness in evil and extraordinary behavior without feeling guilty.
I don't know if it's been like this all the time, or if the debt collection has inspired the little girl.
last scene happens.
The heroine likes to walk very much. It is a symbol of meaningless circulation. Life has no other meaning to the heroine, but she eats and waits to die. The stories his father told him when he was a child may still have more or less innocence and yearning, turn around and look for the lost self, the self who has been staying on this road without any socially recognized achievements. .
About the hero. Then the male protagonist is incompetent and understands a lot, but this does not mean that he will always fully abide by the principles of respect for women and full equality, although he shows great respect at first. But from his point of view, the heroine telling him stories is just like his experience of reading a book, and trying again with the heroine is just doing something, not to mention that he doesn't seem to touch women very much.
From beginning to end is the feeling of being immersed in my own associations about the story, and some words about sin and another perspective. (I'm really scared now that the self-righteous person who likes math problems is somewhat paranoid and self-righteous, and the empathy is also from his own perspective. I'm really scared. Damn. It's still safe for regular people.) ( And really, love to read books and study problems beyond the scope of their study, can't prove anything.) My own abortion is too crude, I read it several times. And the front and back echoes are played well by this movie.
When it comes to theology, I can't quite get it, is it an expression of confrontational meaning, certainty, and finding joy in blasphemy.
The movie also evokes other memories. Seeing the female protagonist's physical condition, I felt that I didn't continue to deal with that horse whip pj and the man who had no motive or behavior cared about me was a completely correct choice. The increase in men is indeed a way to know people, but it is inevitable to know people one-sidedly. And this way of getting along does bring about a lot of uncertainty in interaction. You have to judge and see a person well.
Anyway, it's still important to have a subtle feeling of love and socialized pleasure and things like that.
View more about Nymphomaniac: Vol. II reviews
